“穿越”题材影视剧研究

发布时间：2018-03-17 13:13

本文选题：“穿越”题材影视剧　切入点：后现代语境　出处：《重庆大学》2013年硕士论文　论文类型：学位论文

【摘要】：19世纪末，凭着自然科学层面对“时空穿梭”的提出和论证，“穿越”一词在社会纷繁复杂，文艺范畴流派众多、理论兼容、各种话语争执不断。各类艺术家开始蠢蠢欲动：他们不考虑“穿越”时空的现象是否可行，巧妙地从感性审美的艺术特性出发，将科学界无法用理性解释的“穿越”巧妙的虚构，创作出很多具有时代性标志的“穿越”题材艺术作品。 “穿越”以一种故事元素的形式存在于各类艺术范畴中，，潜移默化地被定义——“穿越”艺术，就是内容中包括跨越时间和空间的行为或事件。“穿越”题材影视剧中，所有“穿越”的缘由来自于超自然与超人类的力量；从影像系统性质论看来，它叙事元素的特点都可以用神化影像系统的叙事机制去解释。但“穿越”题材影视剧只是神化影像系统的小部分，不是所有的神化影像系统在叙事时都会“穿越”时空。 “穿越”作为影视艺术，无论是内部的创作过程还是外部的受众心理体验都继承了后现代理论精神的艺术特征。“穿越”题材影视剧在叙事特征上明显受到了解构作为基础方法论的影响。但不是所有的东西都能解构，在影像系统内部，解构只是对环境机制或叙事机制形成对立关系。在进行艺术创作时定要关注它所选取的解构对象所应该满足的可以被解构的条件。而从“穿越”题材影视剧的视听属性来看，也具有后现代影像的反固定性模式的光影色调和无序性运动的镜头调度。并且艺术风格也应用后现代的手法：拼凑与戏仿、仿象、超现实等来对经典传统进行消解与颠覆。 “穿越”题材影视剧的文化内涵分析出,其影像形式是具有较为消极和较为积极的两面性。为了使其从产业的角度有更好的发展，笔者进行了全面的社会调查——从受众的心理认知与传播范围、本体的表现形式和受众的价值认同、国别差异的纵横比较、政府禁播与调控措施这四个方面，全面探索了“穿越”题材影视剧的社会表征。调查结果显示，“穿越”题材影视剧在对受众的向导、价值的唤醒等方面都存在着创作上的缺陷。随着进一步对创作原则的初探，试图让我国的“穿越”题材影视剧在有更大的空间在艺术产业中发展。
[Abstract]:At the end of 19th century, with the introduction and argumentation of "time and space shuttle" in natural science, the word "through" was complicated in society, and there were many schools of literature and art, and the theory was compatible. All kinds of dissension. Artists of all kinds begin to stir up: they do not consider whether the phenomenon of "traversing" time and space is feasible, and ingeniously proceed from the artistic characteristics of sensual aesthetics. With the ingenious fictions of "traversing" which cannot be explained rationally by the scientific community, many works of art of "traversing" are created with the symbol of the times. "traversing" exists in all kinds of artistic categories in the form of a story element, and is implicitly defined as "traversing" art, in which the content includes acts or events that span time and space. All the causes of "traversing" come from supernatural and superhuman forces; from the perspective of the nature of the image system, The characteristics of its narrative elements can be explained by the narrative mechanism of the deified image system, but "traversing" is only a small part of the deified image system, and not all the deified image systems "cross" the time and space in the narration. "traversing" as the art of film and television, Both the internal creative process and the external psychological experience of the audience inherit the artistic characteristics of the post-modern theoretical spirit. The narrative characteristics of the film and television drama "through" are obviously influenced by deconstruction as the basic methodology. But not everything can be deconstructed, Inside the image system, Deconstruction is only opposite to the environmental mechanism or narrative mechanism. In the process of artistic creation, we must pay attention to the conditions that the deconstruction object it selects should be able to be deconstructed. Also has the post-modern image anti-fixed mode of light and shadow hue and the disordered motion lens scheduling. And the artistic style also uses the post-modern technique: piecing together and parody, imitating, surrealistic and so on, carries on the elimination and the subversion to the classical tradition. The cultural connotation of the film and television drama "through" shows that its image form has a more negative and positive dual character, in order to make it develop better from the angle of industry. The author has conducted a comprehensive social investigation-from the audience's psychological cognition and the dissemination scope, the Noumenon's manifestation and the audience's value identification, the country difference's vertical and horizontal comparison, the government ban broadcasting and the control measure these four aspects, This paper probes into the social representation of the film and TV drama "through". The results of the investigation show that there are some creative defects in the guide to the audience and the awakening of the value of the film and television drama of the "through" theme, etc. With the further exploration of the creative principles, Try to make our country's "through" theme film and television drama in greater space in the development of the art industry.
【学位授予单位】：重庆大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J905

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