电影《荒野猎人》的意识形态分析

发布时间：2018-03-18 03:15

  本文选题：《荒野猎人》　切入点：意识形态　出处：《电影文学》2017年01期 　论文类型：期刊论文

【摘要】：由导演亚利桑德罗·冈萨雷斯·伊纳里多执导,演员莱昂纳多·迪卡普里奥等主演的影片《荒野猎人》在内地上映后取得了较高的票房以及电影界人士的关注。然而,这样一部审视美国西部拓荒史、抱有极大人文诉求的艺术电影,也渗透进了美国主流社会的意识形态。本文将在简要梳理电影意识形态批评理论的基础上,从个人英雄、宗教信仰、淡化处理的历史真相三个角度分析《荒野猎人》中所包含的意识形态。
[Abstract]:"the Wild Hunter," directed by director Alessandro Gonz 谩 lez Inacio and starring Leonardo DiCaprio and others, has made a lot of money at the box office and the attention of the film industry since its release in the mainland. Such an art film, which examines the pioneering history of the western United States and has a great humanistic appeal, has also penetrated into the ideology of the mainstream American society. This article will briefly comb the theory of film ideology criticism from the perspective of individual heroes. Religious belief, desalination of historical truth, three angles of analysis of the wilderness hunter contained in the ideology.
【作者单位】： 北京交通大学语言与传播学院;
【分类号】：J905
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本文编号：1627748