《大闹天竺》:底层欢喜与新中产价值观的抵牾

发布时间：2018-03-18 17:09

本文选题：《大闹天竺》　切入点：底层欢喜　出处：《北京电影学院学报》2017年02期 　论文类型：期刊论文

【摘要】：《大闹天竺》作为王宝强的处女作之所以遭遇过多的负面评价在于影片没有真正抓住驱动当前公路喜剧创作的城市新中产的文化价值观,而是创作者浓郁乡土意识的无意识流露。由此导致在人物形象塑造、情感性把握以及场景选择上都出现了不同程度的创作偏离。但从类型融合、视听创新、致敬经典等方面上可以看出本片在创作态度上依然是一部充满诚意的创作。
[Abstract]:As Wang Baoqiang's first work, the reason for the excessive negative comments is that the film has not really grasped the cultural values of the city's new middle class, which drives the current road comedy creation. It is the unconscious outpouring of the creators' strong local consciousness, which leads to different degrees of creative deviation in the creation of characters, affective grasp and scene selection. But from the fusion of types, audio-visual innovation, Homage classics and other aspects can be seen in the creative attitude of this film is still a sincere creation.
【作者单位】：北京师范大学文化创新与传播研究院;山东女子学院文化传播学院;
【分类号】：J905

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