《老炮儿》的京味儿电影艺术空间

发布时间：2018-03-19 14:17

  本文选题：《老炮儿》　切入点：京味儿文化　出处：《电影文学》2017年01期 　论文类型：期刊论文

【摘要】：电影《老炮儿》是管虎的最新导演作品,再一次将京味儿文化呈现在大银幕。影片通过塑造曾经的"北京顽主"六爷这一人物形象,表现了时代发展、社会变革下人们精神世界遭受的挤压,以及京味儿文化代表的地域文化,在文化冲撞与融合过程中遭遇的消解。电影《老炮儿》从京味儿文化场域、京味儿人物形象再到京味儿语言艺术,让观众全方位地感受了影像化的京味儿文化空间,这种"京味儿文化"与"京味儿精神"也成为影片叙事、抒情的核心。
[Abstract]:The film "Old Guaner" is Guan Hu's latest director's work, which once again presents the culture of Beijing on the big screen. The film shows the development of the times by portraying the image of the once "Beijing recalcitrant Lord" as a character. The squeezing of people's spiritual world under the social change, and the regional culture represented by the culture of Beijing flavor, are dispelled in the process of culture collision and fusion. The characters' images of Jingwei children come to the language art of Jingwei children, which makes the audience feel the cultural space of Jingwei children in all directions. This kind of "Jingwei children's culture" and "Jingwei children's spirit" have also become the core of the narration and lyricism of the film.
【作者单位】： 黄河科技学院;
【基金】：课题项目“内地高校民族预科生的民族观教育探析”(项目编号:QSNYJ2015075)
【分类号】：J905
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本文编号：1634627