宫崎骏动画电影孤儿形象的美学意蕴

发布时间：2018-03-19 19:33

本文选题：宫崎骏　切入点：动画电影　出处：《西南大学》2013年硕士论文　论文类型：学位论文

【摘要】：宫崎骏动画电影中的孤儿,追求独立与自由,勇于承担使命。《风之谷》、《幽灵公主》等作品的孤儿有着献身精神,但他们积极乐观。富有诗意的画面为观众营造了一个个丰富而有灵性的童话世界。通过文本分析和精神分析等研究方法,揭示了作品孤儿形象的内涵。在神道和万物有灵的思想上发展出了日本独特的审美观,这些审美观影响了日本人对待自然和人类社会的方式。这种神话意象与宫崎骏动画中的东方神秘性有着千丝万缕的联系。在人物分析中,孤儿形象可以在神话中找到原型,日神、月神和风神的特质,在作品形象中有着对应关系。在宫崎骏的成长经历中,因为目睹了太多的战争悲剧,所以他的作品对这方面进行了刻画和反思。而母亲的多病,父亲忙于工作,这些都是促使他在动画中表现孤儿的原因之一。因为他在现实中的矛盾与本着对孩子负责的态度,用动画的大气表现儿童的纯真,是他坚持的出发点。在比较动画电影中的孤儿形象时,选取了高烟勋、今敏和西维亚·乔迈三人的作品,分别从创作风格、叙事风格和作品意蕴三个方面进行分析。高uQ勋与宫崎骏同为吉卜力工作室的导演,比较他们在塑造孤儿形象方面的异同显得很必要。今敏虽然比宫崎骏晚出生,但他英年早逝,留下的作品风格与宫崎骏的也大不相同。西维亚·乔迈作为法国动画家,他的作品中对孤儿的把握与宫崎骏的更是迥异。宫崎骏动画电影中的孤儿形象,反映出他作品里独特的美学意蕴,浪漫精神、主题统一和富有东方特质的诗性,使得作品有着深刻的个人烙印。
[Abstract]:The orphans in MiyazakiHayao's animated films, who pursue independence and freedom, have the courage to undertake the mission. The orphans of the Valley of the Wind and Princess of the Ghost have a dedicated spirit. But they are positive and optimistic. The poetic picture has created a rich and spiritual fairy tale world for the audience. Through the research methods of text analysis and psychoanalysis, this paper reveals the connotation of the orphan image of the works. The unique Japanese aesthetic was developed in the Shinto and the animistic mind of all things. These aesthetics affect the way the Japanese treat nature and human society. This mythical image is inextricably linked to the oriental mystery of MiyazakiHayao's animation. In character analysis, orphaned images can be found in mythology. The characteristics of the Sun God, the Moon God and the Wind Spirit have a corresponding relationship in the image of the works. In MiyazakiHayao's growing up experience, because he witnessed too many war tragedies, his works depict and reflect on this aspect. Father is busy with his work, which is one of the reasons why he shows orphans in animation, because his contradiction in reality and his attitude of being responsible to his children, using the atmosphere of animation to show the innocence of children is the starting point of his persistence. In comparing the orphaned images in animated films, we selected the works of Gao Yanxun, Hyumin and Sylvia Jomai, respectively, from the creative style. The narrative style and the meaning of the work are analyzed in three aspects. Gao UQ Hoon and MiyazakiHayao are both directors of Studio Ghibli, and it is necessary to compare their similarities and differences in shaping the image of orphans. Although Jin Min was born later than MiyazakiHayao, But he died young and left a very different style of work than MiyazakiHayao's. As a French animator, he had a very different grasp of orphans than MiyazakiHayao's. It reflects the unique aesthetic meaning, romantic spirit, unity of theme and poetic character of oriental characteristics in his works, which makes his works have profound personal imprint.
【学位授予单位】：西南大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J901;J905

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