中国电视的美学批评

发布时间：2018-03-20 02:17

本文选题：美学批评　切入点：风格分析　出处：《中国艺术研究院》2017年硕士论文　论文类型：学位论文

【摘要】：电视美学批评作为中国电视批评大家庭的重要成员,其主要是从电视作品的美(客体)与电视作品的审美(主体)两个维度来对电视进行研究的。当前,尽管越来越多的理论学者与电视批评学者开始运用美学的批评方法来对电视进行分析与研究,也取得了相应的成果,但始终没有形成体系化研究。因此,本文在总结前人成果的基础上,对中国电视美学批评进行进一步研究,具体主要包含以下几点:首先,对电视美学批评进行界定,并且从审美构建的角度对电视美学批评进行分析,从而在本质上抓住电视美学批评的定义与源流。其次,对电视美学批评的对象与范畴进行分析,从主题、人物、类型以及风格四个角度入手,结合具体的电视作品案例进行辅证。再次,对当下电视美学批评的流派与倾向进行整理与分析,对每个派别的理论依据以及优缺点做出客观的分析,寻找一种新的美学批评秩序。最后,对当前中国电视美学批评的现实意义进行分析,从而发挥电视美学批评的真正意义,激励更多的人加入到电视美学批评队伍中。同时,也对当前中国电视美学批评中存在的一些问题进行反思。通过本文的研究,我们试图在当前并不完善的电视批评中寻找一种完善的美学批评机制,以此推动中国电视批评的理论建设。另外,对于电视创作者而言,完善的美学批评机制能够为他们提供明确的美学指导,促使他们从创作的角度挖掘电视作品的审美价值,对电视艺术的实践与创作具有一定的参考价值。
[Abstract]:As an important member of the family of Chinese TV criticism, TV aesthetic criticism is mainly studied from the aspects of the beauty (object) of TV works and the aesthetic (subject) of TV works. Although more and more theorists and television critics begin to use aesthetic criticism methods to analyze and study television, and have achieved corresponding results, they have never formed a systematic study. On the basis of summarizing the previous achievements, this paper makes a further study on Chinese TV aesthetic criticism, which mainly includes the following points: firstly, it defines the TV aesthetic criticism. And from the point of view of aesthetic construction, it analyzes the aesthetic criticism of TV, so as to grasp the definition and origin of aesthetic criticism of television in essence. Secondly, it analyzes the object and category of aesthetic criticism of television, and analyzes the subject and character. Type and style of four angles, combined with the specific case of television works to be supported. Thirdly, the genre and tendency of current TV aesthetic criticism are sorted out and analyzed. This paper makes an objective analysis of the theoretical basis, advantages and disadvantages of each school, and seeks a new order of aesthetic criticism. Finally, it analyzes the realistic significance of the current Chinese TV aesthetic criticism, so as to give play to the real significance of the TV aesthetic criticism. To encourage more people to join the ranks of television aesthetic criticism. At the same time, we also reflect on some problems existing in the current Chinese television aesthetic criticism. We try to find a perfect aesthetic criticism mechanism in the current imperfect TV criticism, so as to promote the theoretical construction of Chinese TV criticism. In addition, for TV creators, The perfect aesthetic criticism mechanism can provide them with clear aesthetic guidance, urge them to excavate the aesthetic value of TV works from the angle of creation, and have certain reference value for the practice and creation of TV art.
【学位授予单位】：中国艺术研究院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J901

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