由《湄公河行动》看国产犯罪片叙事逻辑

发布时间：2018-03-20 04:20

  本文选题：《湄公河行动》　切入点：国产犯罪片　出处：《电影文学》2017年12期 　论文类型：期刊论文

【摘要】：由林超贤执导的《湄公河行动》根据真实的重大案件改编,影片调动多国演员,转换多地拍摄,一经上映便收获了大量好评,甚至被认为为国产犯罪片提供了一个新的标杆。而值得注意的是,《湄公河行动》的被肯定,一方面在于其故事原型的敏感性、对犯罪问题的批判性和反映社会问题的深刻性,另一方面也在于其紧紧抓住观众注意力的叙事策略。文章从叙事符码、虚实叙事、叙事中的商业性三方面,分析《湄公河行动》的叙事逻辑。
[Abstract]:"Operation Mekong", directed by Lin Chao-hsien, is based on a real major case. The film mobilizes actors from many countries to film in many places. Once it is released, it has received a lot of favorable reviews. It is even considered to provide a new benchmark for domestic crime films. But it is worth noting that the affirmation of Operation Mekong lies on the one hand in the sensitivity of its story prototype, in its critical nature of crime and in reflecting the depth of social problems. On the other hand, it also focuses on the narrative strategy of the audience. This paper analyzes the narrative logic of Mekong Action from three aspects: the narrative code, the virtual narrative and the commercial narrative.
【作者单位】： 电子科技大学成都学院;
【分类号】：J905
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本文编号：1637476