新媒体语境中电影批评空间的拓展

发布时间：2018-03-20 13:53

本文选题：新媒体　切入点：电影批评　出处：《复旦大学》2014年硕士论文　论文类型：学位论文

【摘要】：本文主要针对新技术条件下文化发展出现的新论题：电影批评在新的批评平台上批评空间的拓展。由此探索新媒体语境中电影批评存在的问题,并探求解决之道。论文从批评平台、批评主体、批评对象、批评样态入手,在逻辑上有意识地推进。论文第一章梳理了批评平台新媒体的概念,把延伸作为新媒体的文化品格。这种延伸是一种全面的延伸,“新媒体”不仅是对“传统媒体”的延伸,也是对以其为载体的内容的补充与完善,更是对人的神经系统的延伸。新媒体以其巨大容量承载一切话语,并且能够不断通过促进不同语体之间的对话而不断刺激新的话语的产生,是一个拥有无限可能性与生命力的平台。第二章以田野调查为切入点,分析两大批评主体——专业影评人和大众影评人的较量,并探讨专业影评之与最主要受众——高校学生——的影响因子出现的波动,用可靠的数据及时回应。根据高校学生查阅影评的方式和途径分析他们对于专业影评以及大众影评的态度,理清大众影评的文化特性以及专业影评的立场。重新对专业影评的危机进行定位,并由此进一步思考专业影评的出路：在坚守传统媒体的同时,利用新媒体拓展生存空间。第三章则从电影本身到新的电影批评形态来分析“微对象”开启的批评空间。微电影作为新媒体之子,自身不断发生蜕变,公益微电影则在新的广告模式中实现了自身的奉献与救赎。除此之外,还出现了新的电影批评形态——微博影评,低门槛、匿名性使微博成为一个全民批评的“乌合之场”,因此形成了微博影评自我粗浅的美学风格。第四章探究视频形态的电影批评,通过对网络视频影评生存态势的扫描,并以《影评联播》、《龙斌大话电影》为例,剖析网络视频影评的后现代主义叙事风格。同时,探讨了电影影评栏目跨媒体传播实践及其意义。结语在前四章的基础上,总结新媒体语境中电影批评出现的问题,并提出了对策。
[Abstract]:This paper focuses on the development of culture under the condition of new technology appears as a new topic: film criticism criticism in the new criticism space development platform. Then explore the movie new media in the context of critical problems and seek solutions. From the subject of criticism, criticism, criticism, criticism, state of consciousness advance in logic. The first chapter summarizes the concept of criticism platform of new media, the new media as the extension of the cultural character. This extension is a comprehensive extension of the "new media" is not only the extension of the traditional media, but also to supplement and perfect the carrier content, it is the extension on the human nervous system. New media with its huge capacity of carrying all the words, and can continue through the promotion of dialogue between different styles and continue to stimulate new discourse, is one has no limit may And the vitality of the platform. In the second chapter, based on field investigation as the starting point, analysis of the two critical subject -- the professional critics and the public critics of the contest, and to explore the professional film critics and the audience -- College Students -- fluctuations of the factor, with reliable data and timely response. According to the university students' access to film the ways and methods of analysis for their professional attitude and film critics of mass, mass culture characteristics and clarify the film critics' position. The re positioning of the professional film critics of the crisis, and thus further thinking way in the professional film critics: stick to the traditional media at the same time, the use of new media to expand the living space. The third chapter from the film itself the criticism form to analyze "micro object" open space of criticism to the new film. Micro film as a new media, its unceasing change, public interest Micro film in the new advertising model is realized in the dedication and salvation of their own. In addition, there are also new forms of film criticism -- micro-blog reviews, low threshold, anonymity make micro-blog become a national criticism of the "rabble", thus forming the aesthetic style of micro-blog film self shallow. Fourth the chapter explores the video form of film criticism, through the network video reviews survival situation and to scan, < < Long Bin > movie network, big movie > as an example, analysis of network video reviews the style of postmodern narrative. At the same time, discusses the film column cross media communication practice and its significance. The conclusion based on the previous chapters on the summary of the problems in the context of new media film criticism, and puts forward some countermeasures.

【学位授予单位】：复旦大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J905

【共引文献】