世界电影理论文献专栏

发布时间：2018-03-23 06:28

本文选题：理论文献　切入点：电影史　出处：《北京电影学院学报》2017年04期 　论文类型：期刊论文

【摘要】：正编者按本期选译的文章来自于20世纪20年代的苏联蒙太奇运动和30年代意识形态与电影的结合这两个电影史事件,这些公开发表的带有宣言色彩的文章,展现了当时不同身份、不同立场的作者(艺术家、政治家和宗教界人士),对电影语言与电影功能的独特表述,以及话语背后蕴含的当时人们对电影的特殊诉求。《我们:一个宣言的变体》和《工人电影的制作方法》是首次翻译,这两篇文章的共同之处是用最简洁的语言,表达了维尔托夫与爱森斯坦对电影本体的理解,代表着苏联蒙太奇运动两种完全不同的电影观。与此同时,苏联视觉艺术中的构成主义
[Abstract]:The articles that are being edited and translated are from the Soviet montage movement in the 1920s and the combination of ideology and film in the 1930s, two historical events in the film history, these publicly published articles with the color of a manifesto. Showing the unique expression of the language and function of the film by authors (artists, politicians and religious figures) of different identities and positions at that time, "We: a variant of a Manifesto" and "how to make a worker's Film" were translated for the first time. What these two articles have in common is that they use the simplest language. It expresses Wiltov and Eisenstein's understanding of film ontology and represents two completely different views of film in the montage movement of the Soviet union. At the same time, the constructivism in the visual art of the Soviet union
【分类号】：J905

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