婚姻变革的先锋——1930年代上海电影演员婚恋状况的考察

发布时间：2018-03-23 10:11

  本文选题：年代　切入点：上海　出处：《四川师范大学学报(社会科学版)》2017年03期

【摘要】：1930年代的上海是中国电影制片业的黄金时代,也是传统婚姻发生激烈变革的时代。在时代的裹挟下,电影演员大多婚姻自主,不仅同居、订婚、结婚、离婚、再婚完全出于自己的意愿,而且婚礼也大多采用与传统迥异的新式婚礼、集体婚礼、西式婚礼等形式,无论是婚姻的观念、行为还是结婚仪式都走在了时代的前沿,成为当时婚姻变革的先锋。这在一定程度上也是电影演员尤其是女性电影演员通过职业取得了独立的经济地位、演员这一职业拥有广泛的社交和从业者大多热衷“表演”、喜欢追逐时髦、出风头的心理等诸多因素相互作用的结果。
[Abstract]:Shanghai in the 1930s was the golden age of China's film industry and the era of drastic changes in traditional marriage. Under the circumstances, film actors were mostly married independently, not only cohabiting, engaged, married and divorced. Remarriage is entirely out of one's own will, and most weddings take the form of new weddings, group weddings, and western-style weddings, which are quite different from the traditional ones. Both the concept, behavior and ceremony of marriage are at the forefront of the times. To be the vanguard of marriage change at that time. It was also partly because film actors, especially women film actors, achieved independent economic status through their careers. This profession has a wide range of social and practitioners most keen on "performance", like the pursuit of fashion, high-profile psychology and other factors of interaction.
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本文编号：1653001