映月荷花别样红：李少红的电影世界

发布时间：2018-03-24 04:29

本文选题：李少红　切入点：电影　出处：《西南大学》2014年硕士论文

【摘要】：李少红是第五代导演中引人注目的女导演,也是中国当代影坛女导演群体中的佼佼者,她个性化的艺术创作风格以及对个体情感命运的关注,奠定了她在影视圈独树一帜的历史地位。李少红的电影作品有着浓浓的个性和情怀,选材、改编、人物、镜头、画面、造型、光影、色彩、声音等每一个方面都充满了精巧的设计,丰富的电影语言和深厚的人文精神获得了广泛认可。本论文除了前言和后记部分,共分为三个章节,对李少红的电影创作轨迹和作品风格进行了比较全面的研究。文章前言部分,简要概括了李少红的作品与地位,阐述了作者选题的原因及意义。正文部分,第一章将李少红的创作历程分为了四个部分,从初入影坛时拍摄《银蛇谋杀案》和《血色清晨》的锋芒毕露,到《四十不惑》、《红粉》时个人意识的逐渐觉醒,再到《红西服》时电影与一系列电视剧拍摄的双重成功,到最后《恋爱中的宝贝》和《门》里不懈地艺术追求,对李少红的电影作品以及创作过程中的故事进行了较为细致的梳理；第二章将目光聚焦于李少红独到的创作视角,通过其作品独特多义的选材和对原著个性化的改编以及其对边缘人物的关注,展现了李少红精致且细腻的情感体悟。对其电影作品中不同身份、性格各异的女性角色,文章也进行了较为细致的对比和分析。论文第三章以文章第一章、第二章为跳板,立足于李少红电影作品本身,深入研究李少红的电影创作风格。对其作品中体现出的较为鲜明的个性元素以及视听语言进行分析,解读其冷静的镜头、饱含意味的声音造型、光影与色彩.以及作品中对“戏中戏”和“精致暴力”的展现,在此基础上提出一些新观点。最后,以一则小小的后记代为结语,对李少红的电影之路以小小的总结,从青涩的电影学院学子,到独当一面的大导演,一直到如今的中国电影导演协会的会长,李少红一直在尝试中前行,并将一步一脚印地继续走下去。到目前为止,关于李少红的研究已经达到了一定的广度,但其深度和系统性还远远不够,本文是建立在笔者对李少红电影作品的审美感受之上,以前辈学者的研究为基础,力求对李少红的创作经历和作品风格进行一次完整细致的梳理和新的解读,希望其作品中的艺术探索能够受到更多的关注。
[Abstract]:Li Shaohong is a remarkable female director in the fifth generation of directors, as well as a leader in the group of female directors in contemporary Chinese films. Her individualized artistic creation style and her concern for the fate of individual emotions, Li Shaohong's film works have a strong personality and feelings, material selection, adaptation, characters, lenses, pictures, modeling, light, color, Sound and other aspects are full of exquisite design, rich film language and deep humanistic spirit has been widely recognized. This paper, in addition to the preface and postscript, is divided into three chapters. Li Shaohong's film creation track and style were studied comprehensively. In the preface part of the article, the author briefly summarizes the works and status of Li Shaohong, and expounds the reasons and significance of the author's selected topic. The main body part, the first chapter, divides Li Shaohong's creative process into four parts. From the sharpness of filming "murder of Silver Snake" and "Bloody Morning" at the beginning of the film world, to the gradual awakening of personal consciousness in "40 without doubt", and to the dual success of shooting films and a series of TV dramas in "Red suit". At the end of the "Baby in Love" and "door" in the relentless pursuit of art, Li Shaohong's film works and the creative process of the story were more detailed combing; the second chapter will focus on Li Shaohong's unique creative perspective. Through his unique and polysemous material selection, the individualized adaptation of the original work and his concern for the marginal characters, Li Shaohong's delicate and delicate emotional understanding is revealed. The third chapter takes the first chapter and the second chapter as the springboard, based on the film works of Li Shaohong. Deeply studying Li Shaohong's film creation style. Analyzing the relatively distinct personality elements and audio-visual language embodied in his works, interpreting his cool lens and full of sound modeling, Light, shadow and color, as well as the exhibition of "drama in the play" and "delicate violence" in the works, on this basis, put forward some new points of view. Finally, with a small postscript as the conclusion, a small summary of Li Shaohong's film path. From young film academy students to independent directors to today's president of the China Film Directors Association, Li Shaohong has been trying to move forward, and will continue to go one step at a time. Up to now, the research on Li Shaohong has reached a certain extent, but its depth and systematicness are far from enough. This article is based on the author's aesthetic feelings about Li Shaohong's film works, and is based on the research of his predecessors. It is hoped that the artistic exploration in Li Shaohong's works will be paid more attention to in order to make a complete and meticulous combing and new interpretation of Li Shaohong's creative experience and style.
【学位授予单位】：西南大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J905

【参考文献】