影视商业美学视域下的中国电视剧批评研究（1984-2010）

发布时间：2018-03-24 07:20

本文选题：电视剧批评　切入点：影视商业美学　出处：《东北师范大学》2014年硕士论文

【摘要】：中国自改革开放以来，逐步推进电视剧市场化改革，电视剧批评理论在变化与发展中渐渐显露出影视商业美学的批评视野，本文在历史研究取向中主要采取“论从史出”的方法，试图尝试系统全景式地从1984-2010以来，在影视商业美学视域下中国电视剧批评为研究对象。力求在归纳和总结影视商业美学视域下中国电视剧批评的核心，找出中国电视剧发展的可行之路。同时，期望为中国电视剧批评研究提供一点具有独特性、创新性、具有历史镜像与理论镜鉴意义的研究成果，更努力使该论文能成为一篇基础扎实、史料丰富、史观科学的中国电视剧类型批评的理论文章。本论文研究成果的理论价值与现实意义概括:第一，，对1984以来中国经济政策以及影视产业化相关政策进行梳理，以期在全面了解国家政策和影视政策的背景下，掌握影视产业化发展的历史脉络，更好的把握影视产业化进程。第二，对商业美学以及电影、电视商业美学概念进行界定，理清概念定义，以便更好的进行中国电视剧批评的研究。第三，将1984-2010有关中国电视剧产业化、商品化的相关文献进行梳理，以期对中国电视剧产业化、商品化改革进程明确的把握。第四，在理清政策和影视商业美学概念的基础上，发现中国电视剧批评的特点与发展，不仅做到对历史了解而且也要做到对未来的方向的探索。
[Abstract]:Since the reform and opening to the outside world, China has gradually promoted the market-oriented reform of TV dramas. The theory of TV drama criticism has gradually revealed the critical vision of film and television commercial aesthetics in the course of its change and development. This paper mainly adopts the method of "theory from history" in the orientation of historical research, and tries to attempt a systematic panoramic approach from 1984 to 2010. Under the view of commercial aesthetics of film and television, Chinese TV drama criticism is the object of study. It tries to sum up the core of Chinese TV drama criticism from the perspective of film and television commercial aesthetics, and finds out the feasible way for the development of Chinese TV series. I hope to provide some unique, innovative, historical mirror and theoretical mirror research results for the research of Chinese TV drama criticism, and make more efforts to make this paper a solid foundation and rich historical data. The theoretical value and practical significance of the research results of this paper are summarized as follows: first, the economic policy and the related policies of film and television industrialization since 1984 are sorted out. In order to fully understand the national policy and film policy background, grasp the historical context of the development of film and television industrialization, better grasp the process of film and television industrialization. In order to better carry out the research on the criticism of Chinese TV series. Thirdly, the relevant documents on industrialization and commercialization of Chinese TV series from 1984 to 2010 are combed in order to make the Chinese TV series industrialized. Fourth, on the basis of clarifying the policy and the concept of commercial aesthetics of film and television, the author finds out that the characteristics and development of Chinese TV drama criticism can not only understand the history but also explore the future direction.
【学位授予单位】：东北师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J905

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