波兰斯基影片中的欲望书写

发布时间：2018-03-26 10:12

  本文选题：波兰斯基　切入点：欲望　出处：《电影文学》2017年06期

【摘要】：在罗曼·波兰斯基的电影中,人性永远是一个核心的主题。或许是波兰斯基自身的坎坷命运让他对人性有了更为透彻的理解,他在影片中往往能够通过简单的环境、人物设置和情节推进将人性中最基本的东西展示出来。波兰斯基试图将人物的社会背景隐去,在相对封闭的环境中完全暴露人的本性和欲望,因此从他的处女作《水中刀》开始,导演多次将自己的电影设置为封闭空间情境,呈现欲望如何从压抑到释放最终走向不可控制的结局,颠覆既有的社会构建,极具反思力度。
[Abstract]:In Roman Polanski's films, humanity is always a central theme. Perhaps Polanski's own bumpy fate gives him a better understanding of human nature, in which he is often able to use simple circumstances. Character settings and plot advances show the most basic things in human nature. Polanski tries to hide the social background of the character and completely expose human nature and desire in a relatively closed environment. Therefore, starting from his first work, "the knife in the Water", the director has set his film as a closed space situation for many times, showing how the desire changes from depression to release to the final uncontrollable outcome, subverts the existing social construction, and is highly reflective.
【作者单位】： 内蒙古大学满洲里学院;
【分类号】：J905
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本文编号：1667453