和解与突破——《乘风破浪》中的韩式叙事

发布时间：2018-03-27 05:17

本文选题：彭于晏　切入点：贺岁档　出处：《电影评介》2017年05期

【摘要】：正2017年的新年贺岁档中,由邓超、彭于晏、赵丽颖主演,韩寒编剧兼导演的《乘风破浪》尤为吸引大众眼球。一方面是韩寒的个性化标签带来影片的话题度,另一方面电影上映仅11天,从一开始不被看好到超越王宝强执导的《大闹天竺》,并在半月内突破7亿票房,成功完成票房“逆袭”,使得人们不由得再一次关注韩寒的电影叙事风格。不同于《后会无期》中极具韩寒个人风格的零散叙事,新作《乘风破浪》的叙事更符合商业电影的逻辑,故事讲述年轻赛车
[Abstract]:The 2017 New year Festival, starring Deng Chao, Peng Yuyan, Zhao Liying, Han Han's screenwriter and director, "take the Wind and break the Wave", is particularly attractive to the public. On the one hand, Han Han's personalized label brings the topic of the film. On the other hand, only 11 days after the film was released, it was not expected from the beginning to surpass Wang Bao-qiang 's "Big Bang Tianzhu", and in half a month it exceeded 700 million at the box office. The successful completion of "counterattack" at the box office makes people pay attention to Han Han's narrative style again. It is different from the scattered narration of Han Han's personal style in "Life after Life". The narrative of the new book, "take the Wind and break the Wave", is more in line with the logic of a commercial film, which tells the story of young racing cars.
【作者单位】：河北科技大学影视学院;河北科技大学影视学院录音系;

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