中国边缘题材电影中的青年亚文化研究
发布时间:2018-03-28 06:43
本文选题:青年亚文化 切入点:中国边缘题材电影 出处:《南京艺术学院》2014年硕士论文
【摘要】:西方后现代文化的涌入,为中国青年亚文化发展提供了文化土壤。媒体技术和现代网络的进步,为青年亚文化发展提供了有利的技术支持和发展空间。现代社会生活改变着人们的慢节奏,广大青年群体在承受着精神上和经济上的双重压力。巨大的心理压力促使青年欲借助当下媒介来释放情绪,在此背景下,中国边缘题材电影则成为青年亚文化释放的主要媒介载体之一。本文的重点论述共分五个章节:第一章,界定了中国边缘题材电影和青年亚文化的概念,分析了中国边缘题材电影的创作类型和青年亚文化的发展现状,对本文写作起到了厚实的铺垫作用;第二章,总结中国边缘题材电影的成长叙事、女性叙事、同性恋叙事和底层人物叙事四种边缘叙事形态及呈现青年亚文化的精神内核;第三章,分析中国边缘题材电影中青年亚文化的表达方式与艺术特征;第四章,从心理因素和现实因素两方面入手,揭示中国边缘题材电影的创作主体热衷表现青年亚文化的深层原因;第五章,探索青年亚文化对中国边缘题材电影的影响。青年亚文化一方面为中国边缘题材电影创作注入新源泉,另一方面为创作者提供话语权。通过研究发现,中国边缘题材电影具有明显的青年亚文化特征,青年亚文化亦对中国边缘题材电影的艺术特征与文化呈现产生一定影响。尽管,青年亚文化在发展之初虽带有贬义色彩,但从现代文化的发展角度来看,亚文化青年群体已成为现代文化的一部分,,具有时代先锋性和现实批判性,为电影创作注入了新的活力,拓展了大众的审视空间。本文意在从整体上梳理青年亚文化与中国边缘题材电影之间的研究线索,将中国边缘题材电影中的青年亚文化风貌客观呈现并探寻其文化现象背后的深层原因。
[Abstract]:The influx of western postmodern culture has provided the cultural soil for the development of Chinese youth subculture, the progress of media technology and modern network. It provides favorable technical support and development space for the development of youth subculture. Modern social life changes people's slow rhythm. The vast group of young people are under both spiritual and economic pressures. Great psychological pressure urges young people to use the current media to release their emotions, and in this context, Chinese marginal films have become one of the main media carriers for the release of youth subculture. This paper focuses on five chapters: the first chapter defines the concepts of Chinese fringe films and youth subculture. This paper analyzes the creation types of Chinese marginal films and the development of youth subculture, which plays a very important role in the writing of this paper. Chapter two summarizes the growth narrative, female narration of Chinese marginal films. Four marginal narrative forms of homosexual narrative and bottom character narration and the spiritual core of presenting youth subculture; chapter three, analysis of the expression and artistic characteristics of youth subculture in Chinese marginal films; chapter four, From two aspects of psychological factors and realistic factors, this paper reveals the deep reasons why the creative subjects of Chinese marginal films are keen to express the youth subculture. This paper explores the influence of youth subculture on Chinese marginal films. On the one hand, youth subculture injects new resources into the creation of Chinese marginal films, on the other hand, it provides the creators with the right to speak. Chinese marginal films have obvious subcultural characteristics of youth, and youth subculture has a certain influence on the artistic characteristics and cultural presentation of Chinese marginal films, although youth subculture has a derogatory meaning at the beginning of its development. But from the point of view of the development of modern culture, the subculture youth group has become a part of modern culture, which has the vanguard of the times and the critical nature of reality, which has injected new vitality into the film creation. The purpose of this paper is to sort out the research clues between youth subculture and Chinese marginal films. This paper objectively presents the subcultural features of youth in Chinese marginal films and explores the deep reasons behind their cultural phenomena.
【学位授予单位】:南京艺术学院
【学位级别】:硕士
【学位授予年份】:2014
【分类号】:J905
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