批判视角下《米》的改编缺失

发布时间：2018-03-28 07:44

  本文选题：《米》　切入点：改编　出处：《电影文学》2017年09期

【摘要】：黄健中导演的《大鸿米店》改编自苏童的长篇小说《米》,影片整体上与作品的风格相符,展现了人性中阴暗的一面,给人带来浓重的压抑感。但是电影在地理空间、精神内核和人文诉求方面,均没有达到原著的高度:空间上有所缺失,未能展现主人公五龙从农村到城市再回到农村的生活轨迹;精神内核方面,对于精神的建构存在片面性,将"恶"等同于"仇恨";人文诉求过于浅显,对于观众的审美心理有待进一步引导与提升。
[Abstract]:Huang Jianzhong's "Dahongmidian" is adapted from Su Tong's novel "rice". The film is in line with the style of the work as a whole, showing the dark side of human nature and bringing people a heavy sense of repression. But the film is in geographical space. In the aspect of spiritual core and humanism demand, they have not reached the original height: there is a lack of space to show the life track of the protagonist Wulong from the countryside to the city and back to the countryside, and in the spiritual core, there is a one-sidedness to the construction of the spirit. "evil" is equated with "hatred"; the humanistic appeal is too simple, and the aesthetic psychology of the audience needs to be further guided and promoted.
【作者单位】： 宿迁学院;
【分类号】：J905;I207.42
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本文编号：1675410