纪录片与剧情片界限的消解与杂交样式的新兴

发布时间：2018-03-29 06:21

本文选题：纪录片　切入点：纪录片边界　出处：《河北大学》2013年硕士论文

【摘要】：纪录片与剧情片一直代表着传统观念中对于电影样式的最基本划分，这种划分方法代表着电影创作的两种最基本倾向，“再现真实”与“表现虚构”，即“真实”与“虚构”的传统对立。不过当代电影中一种新的倾向是，“真实”与“虚构”的对立逐渐消解，纪录片与剧情片的界限日益模糊，二者之间的模糊地带,正是孕育新电影形态的温床，于是，融合了纪录片与剧情片各自特征的电影作品越来越多的出现，并形成了一些全新的电影样式。鉴于这一新现象，本文试图深入探讨纪录片边界的延展、纪录片与剧情片界限的模糊、新的电影样式出现等一系列问题，借此来把握最新的电影发展动态。第一章首先提出在传统电影理论中，纪录片与剧情片这两种对立性的电影样式分别代表着“再现真实”与“表现虚构”的创作倾向。不过，由于“真实”一词的多义性，使得“真实”与“虚构”并非简单对立，二者之间有着更为复杂与辩证的关系。随后从世界纪录电影史的角度切入，详细回顾纪录片的历史，并试图寻找到历史的不同时期，纪录片创作者以及纪录片作品对于“真实”与“虚构”的不同理解，回顾纪录片史上贯穿始终的“真实”与“虚构”之争。第二章以上一章对于纪录片的历史梳理为基础，，首先得出“纪录片的历史就是一部关于真实观念的理解史”的结论，提出在纪录片的历史演进过程中，对于“真实”的理解是逐渐深入的，“真实”观念是不断被颠覆与修正，“真实”是纪录片的内涵属性；然后提出“虚构”策略作为纪录片创作者实现各自“真实”观念的手段，在纪录片的历史中始终存在，“虚构”是纪录片的外延边界：最后得出结论，随着对于“真实”观念的不断修正与对于“虚构”策略的愈发重视，纪录片的边界在近些年愈发向外拓展，并导致纪录片与剧情片之间原本清晰的界限逐渐模糊，以及兼具纪录片与剧情片特征的新兴电影样式的出现。第三、四章则对剧情纪录片、虚构纪录片、伪纪录片这几种纪录片与剧情片的杂交样式，进行概念的界定与特征的分析，阐述它们各自的样式特点与发展状况，对比它们之间的异同，以此来把握当前纪录片与剧情片界限消解、新兴杂交样式多样化发展这一世界电影发展的新趋势。
[Abstract]:Documentaries and drama films have always represented the most basic division of film styles in traditional concepts. This division method represents the two most basic tendencies of film creation, "reproducing reality" and "performance fiction", that is, the traditional opposition between "truth" and "fiction". However, a new tendency in contemporary film is "reality" and "fictional". The opposites of fiction are gradually dispelled, The boundary between documentaries and feature films is increasingly blurred. The fuzzy zone between them is the breeding ground for new film forms. Therefore, more and more films that combine the characteristics of documentaries and drama films appear more and more. In view of this new phenomenon, this paper attempts to probe into a series of problems, such as the extension of the documentary boundary, the blurring of the boundary between the documentary and the drama film, the emergence of new film styles, and so on. In order to grasp the latest developments in the film. In the first chapter, the author points out that in the traditional film theory, documentary and drama represent the creative tendency of "representation of reality" and "representation of fiction" respectively. However, due to the polysemy of the word "truth", The relationship between "reality" and "fiction" is more complex and dialectical. Then, from the perspective of the world record film history, the author reviews the history of documentary film in detail, and tries to find different periods of history. Documentary creators and documentary works have different understandings of "truth" and "fiction", and review the controversy between "truth" and "fiction" throughout the history of documentary. In the second chapter, the author first concludes that the history of documentary is a history of understanding the concept of reality, and points out that in the process of historical evolution of documentary, The understanding of "reality" is gradually deepened, the concept of "reality" is constantly subverted and amended, "truth" is the connotation attribute of documentary, and then "fictional" strategy is proposed as a means for documentary creators to realize their "real" concept. In the history of documentary, "fiction" is the extension boundary of documentary. Finally, it is concluded that with the constant revision of the concept of "reality" and the increasing attention to the strategy of "fiction", In recent years, the boundary of documentary is increasingly expanding, which leads to the blurring of the original clear boundary between documentary and feature film, as well as the emergence of new film styles with the characteristics of documentary and feature film. In the third and fourth chapters, we define and analyze the concept and characteristics of these kinds of documentaries and feature films, and expound the characteristics and development of their respective styles and characteristics, as well as the hybrid styles of drama documentaries, fictional documentaries and pseudo-documentaries. By comparing the similarities and differences between them, this paper tries to grasp the new trend of the world film development, which is to dispel the boundary between the documentary and the feature film, and to diversify the new hybrid style.
【学位授予单位】：河北大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J95

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