1920年代中国商业类型片的文化表现

发布时间：2018-03-30 06:17

本文选题：商业类型片　切入点：都市文化　出处：《中国艺术研究院》2017年硕士论文

【摘要】：本文就1920年代后期中国商业类型片的文化表现展开论述,突破以往对早期商业类型片的孤立考察,将其放置在20年代上海都市文化语境中加以研究,进一步分析商业文化是如何影响和支配早期电影的类型发展。同时,也通过对电影文本的分析找出类型影片所反映出的社会文化因素。1920年代后期的中国商业类型片是中国早期电影史中比较独特的存在,古装片和武侠神怪片的出现打乱了前期较为自觉的电影艺术探索之路,商业为主体的电影创作开始占据上风。20年代后期在武侠神怪浪潮中艰难生存的电影类型还包括家庭婚恋题材影片和侦探片,这两种电影类型是20年代前期已有的电影类型,发展到后期又具备了一些新的特点以适应市场。从文化表现上看,对民族认同的期待以及对电影民族性的追求是古装片创作背后的文化心理;而武侠神怪片中对“英雄”的崇拜更是深广社会现实的镜像反映;家庭婚恋题材影片中的传统叙事和平民意识也展现出传统文化在早期电影中的历史印迹。
[Abstract]:This paper discusses the cultural performance of Chinese commercial genre films in the late 1920s, breaks through the isolated investigation of the early commercial genre films in the past, and places them in the context of Shanghai urban culture in the 1920s. Further analysis of how business culture influences and dominates the development of early films. At the same time, Also through the analysis of the film text to find out the social and cultural factors reflected by the type of film. The Chinese commercial type film in the late 1920s is a relatively unique existence in the early film history of China. The appearance of antiquated films and martial arts geniuses disrupted the early stage of more conscious exploration of film art. Commercial film creation began to prevail. In the late 1920s, the types of films that struggled to survive in the wave of martial arts geniuses also included family and love films and detective films, two types of films that existed in the early 1920s. From the perspective of cultural expression, the expectation of national identity and the pursuit of film nationality are the cultural psychology behind the creation of ancient costume films. The worship of "hero" in the martial arts movie is a mirror reflection of the deep and broad social reality, and the traditional narration and civilian consciousness in the family marriage film also show the historical imprinting of the traditional culture in the early movies.
【学位授予单位】：中国艺术研究院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J909.2

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