郑晓龙影视作品研究

发布时间：2018-03-30 12:58

本文选题：郑晓龙　切入点：影视作品　出处：《山东师范大学》2015年硕士论文

【摘要】：从参与策划的《四世同堂》《渴望》《编辑部的故事》到亲自执导的《北京人在纽约》《刮痧》再到《金婚》《后宫·甄[传》以及去年火热荧屏的《红高粱》，郑晓龙作为一名极具现实主义创作风格的影视创作者，坚持“低处扎根、高处俯瞰”的原则，将镜头对准中国的普通大众，为观众呈现众多质量上乘的影视作品。然而到目前为止，国内外对郑晓龙及其作品的系统性研究并不多见，大都只是局限于对其策划或执导的某部经典作品进行简要评析，并且充满歧见和论争。因此我们有必要采用新的研究方法，来全面阐释郑晓龙影视作品中所蕴含的社会价值。本论文试图从文化视角出发，在宏观与微观的双向拓展中对作品进行系统地解读，主张历史文化语境的重建，探寻郑晓龙影视作品创作以及产生巨大影响的深层原因，从而更好地透析郑晓龙影视作品。从作品本身来看，，郑晓龙经过“初创期”的尝试，“发展期”的突起和“成熟期”的辉煌，走出独具一格的创作之路。其作品题材丰富，叙事张弛有度，人物立体鲜明，内容大都具有家国情怀，以及高深的艺术价值与市场价值。也正是这些文本中共有的内在特质以及传递的正能量，使得郑晓龙影视作品能在当下良莠不齐的作品中脱颖而出。从宏观文化语境来看，无论是“弘扬主旋律、提倡多样化”的文艺政策，还是国家广电总局颁发的众多管理条例，抑或是市场机制催化下影视作品数量与品质的竞争因素，都在不同程度上影响和制约着郑晓龙影视作品的创作与发展。相较于国内其他影视导演来说，郑晓龙创作的影视作品，具有强烈的现实主义批判精神和与时俱进的开拓创新情怀，这些都是当下中国影视市场所匮乏的，值得每一位创作者学习与借鉴。但在大众消费文化的利益驱使下，郑晓龙对个别作品商业性与艺术性关系的权衡有失偏颇，表现出商业痕迹过重、艺术虚构过度等问题，这在一定程度上削减了影视作品的艺术审美价值。因而，作为中国影视事业的领军人物，为使我国影视艺术能够健康、有序、持久的发展，郑晓龙需带领众多影视创作者，理性分析当下中国的影视市场，在坚持现实主义创作观的基础上，正确对待大众文化，合理使用商业手段，创作出让更多人认可的作品。
[Abstract]:From "four generations together", "yearning", "the Story of the editorial Department" to "Beijing Man in New York" "scrapping", "Jin Ma" to "Hougong Zhen" and "Red Sorghum" on last year's fiery screen, Zheng Xiaolongzuo. For a very realistic creative style of film and television creators, Adhering to the principle of "taking root at a low place and overlooking it from a height," and focusing the lens on the general public in China, the audience is presented with numerous films and TV works of superior quality. However, so far, systematic research on Zheng Xiaolong and his works has been rare at home and abroad. Most of them are limited to a brief analysis of a classical work planned or directed by Zheng Xiaolong, and are full of differences and controversies. Therefore, it is necessary to adopt new research methods to fully explain the social value contained in Zheng Xiaolong's film and television works. From the perspective of culture, this paper attempts to systematically interpret the works in the two-way development of macro and micro, advocate the reconstruction of historical and cultural context, and explore the deep reasons for the creation of Zheng Xiaolong's film and television works and their great influence. In order to better dialysis Zheng Xiaolong film and television works. From the point of view of the works themselves, Zheng Xiaolong, through the attempt of "initial period", the protruding of "development period" and the brilliance of "mature period", went out of the unique way of creation. Most of the content has the feelings of home and country, as well as the profound artistic value and market value. It is also the inherent characteristics and positive energy of these texts that make Zheng Xiaolong's film and television works stand out in the current intermingled works. From the macro cultural context, whether it is the literary policy of "carrying forward the main theme and advocating diversity", or the numerous regulations issued by the State Administration of Radio, Film and Television, or the competitive factor of the quantity and quality of film and television works under the catalysis of the market mechanism, Both influence and restrict the creation and development of Zheng Xiaolong's film and TV works to varying degrees. Compared with other film and television directors in China, the films and television works created by Zheng Xiaolong have a strong spirit of realism criticism and pioneering and innovative feelings of keeping pace with the times, which are all lacking in the current Chinese film and television market. It is worth learning and learning from every creator. But driven by the interests of popular consumer culture, Zheng Xiaolong's trade-off between the commercial and artistic nature of individual works is biased, showing problems such as excessive commercial traces, excessive artistic fiction, and so on. To some extent, this has reduced the artistic aesthetic value of film and television works. Therefore, as a leading figure in China's film and television industry, Zheng Xiaolong needs to lead many film and television creators in order to enable China's film and television art to develop healthily, in an orderly and lasting manner. Rational analysis of the current Chinese film and television market, on the basis of adhering to realistic creative view, the correct treatment of popular culture, rational use of commercial means to create more people to recognize the works.
【学位授予单位】：山东师范大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J905

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