牛郎织女传说的影视剧改编研究

发布时间：2018-03-30 22:10

本文选题：影视改编剧　切入点：牛郎织女传说　出处：《湘潭大学》2013年硕士论文

【摘要】：牛郎织女传说作为中国四大传说之一，早已搬上荧屏。可以说，每个时代都有关于牛郎织女传说的叙述，它不仅是一个美丽动人的传说，同时也表达了人们的内在需求，体现了社会话语权的变更。不同时期的改编版本，有着不同人物角色和叙事结构等，我们恰好可以通过不同年代的叙事，挖掘其背后的文化内涵。笔者以钟敬文归纳出的“牛郎型”作为牛郎织女传说的原型，通过分析“牛郎型”故事以及系列影视剧文本中的人物角色模式、叙事结构以及叙事策略等，来考察该传说在当代社会语境中产生的变化，并把它们划分成不同的类型：牛郎织女传说的政治符号化、牛郎织女传说的财富化以及牛郎织女传说的传统女性形象回归。笔者通过具体分析，认为黄梅戏电影《牛郎织女》通过残酷无情的对头、勇于反抗的主角和大爱无私的助手等方式进行政治化包装，是以爱情为外衣，表达了封建社会中统治阶级残酷压榨劳苦大众的思想，带有鲜明的主流意识形态；香港版电视剧《牛郎织女》则试图通过财富与爱情相结合的叙事模式表明当代人对财富的追求，同时宣扬人们在大众消费文化时代应该追逐常态化的欲望；大陆版电视剧《牛郎织女》以爱情纠葛为叙事中心，表明在男性中心意识形态的操控下，，当代女性形象虽然有所转变，但是整体形象依然趋向于贤妻良母式的形象，是传统女性形象的一种回归。通过上述分析与研究，笔者认为牛郎织女传说在影视剧中的变化主要在以下两个方面：一是影视剧改编了牛郎织女传说的人物角色模式，即影视剧保留了该传说的核心角色，并在核心角色的基础上置换了人物形象，改写人物关系和角色性格；二是影视剧改写了牛郎织女传说的叙事结构，即影视剧在牛郎织女传说的离散型结构上不断地变奏与重置，形成了不同的矛盾冲突，这些元素共同谱写出了不同类型的牛郎织女传说。此外，笔者认为牛郎织女传说在影视剧变化的原因主要是叙事媒介形态的变化和社会话语权的变化。
[Abstract]:As one of the four great legends in China, Niulang Weaver Girl Legend has long been on the screen. It can be said that there is a narrative of Niulang Weaver Girl Legend in every era. It is not only a beautiful and moving legend, but also an expression of people's internal needs. It reflects the change of social discourse power. The adaptation versions of different periods have different characters and narrative structures, so we can just pass through the narration of different ages. The author takes "Niulang Type" as the archetype of Niulang Weaving Girl Legend, analyzes the story of "Niulang Type" and the character pattern in the text of a series of movies and TV plays, taking the "Niulang Type" as the archetype of the legend of Niulang Weaver. The narrative structure and narrative strategy are used to investigate the changes of the legend in the contemporary social context and to divide them into different types: the political symbolization of the Niulang Weaver daughter Legend. The wealth of Niulang Weaver Girl Legend and the return of the traditional female image of Niulang Weaver Girl Legend. The author, through concrete analysis, thinks that the Huangmei Opera film "Niulang Weaving Girl" through the ruthless adversary, The heroine who resists bravely and the altruistic assistant carries on the politicization packing, is takes the love as the cloak, has expressed the feudal society the ruling class cruel squeezes the laboring public thought, has the distinct mainstream ideology; The Hong Kong TV series "Niu Lang Weaver Girl" tries to show the contemporary people's pursuit of wealth through the combination of wealth and love, and advocates that people should pursue the common desire in the age of mass consumption culture. The mainland TV series Niulang Weaver takes love disputes as the narrative center, which shows that under the control of male-centered ideology, the image of contemporary women has changed, but the overall image still tends to be the image of a good wife and good mother. It is a return of traditional female image. Through the above analysis and research, the author thinks that the change of Niulang Weaver Girl Legend in the film and TV drama mainly lies in the following two aspects: one is that the film and TV drama adapted the character pattern of the Niulang Weaver Girl Legend, that is, the film and television drama retained the core role of the legend. On the basis of the core role, the author replaces the character image, rewrites the character relationship and character, and rewrites the narrative structure of the Niulang Weaver Girl Legend, that is, the film and TV drama constantly changes and resets the discrete structure of the Niulang Weaver Girl Legend. In addition, the author thinks that the main reasons for the change of Niulang Weaver's Legend in film and TV play are the change of narrative media and the change of social discourse right.
【学位授予单位】：湘潭大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J905;I207.7

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