管虎电影的视觉审美空间解读

发布时间：2018-04-01 05:09

本文选题：管虎　切入点：电影　出处：《电影文学》2017年23期

【摘要】：管虎是一名高度重视电影形式感的导演,这种重视也体现在了他对电影的视觉审美空间的建构上。相对于西方当代电影中常用的各类带有实验意味的视觉手段,管虎则更遵循现实主义的表现方式,按照现实逻辑来精心地选择、搭建视觉审美空间,在不标新立异的情况下进行艺术个性的表达,甚至挑战常规。文章从作为叙事容器的视觉审美空间、承载人文关怀的视觉审美空间、具有多维表意性的视觉审美空间三方面,来解读管虎电影的视觉审美空间。
[Abstract]:Guan Hu is a director who attaches great importance to the sense of film form, which is also reflected in his construction of the visual aesthetic space of the film. Guan Hu followed the realistic way of expression, carefully selected according to the realistic logic, built the visual aesthetic space, and expressed his artistic personality without innovating. The article interprets the visual aesthetic space of Qianhu film from three aspects: the visual aesthetic space as a narrative container, the visual aesthetic space bearing humanistic concern and the visual aesthetic space with multidimensional ideographic meaning.
【作者单位】：西华大学美术与设计学院;
【分类号】：J911

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