新世纪华语动画影片的叙事策略与方法研究

发布时间：2018-04-01 13:07

本文选题：华语动画影片　切入点：电影叙事　出处：《陕西科技大学》2014年硕士论文

【摘要】：进入新世纪以来，华语动画影片无论从数量上还是从票房上，都获得了的快速发展，到最近几年甚至达到了“井喷”式的繁荣。但是在这一股动画产业快速发展的热潮下，我们尤为需要的是冷思考，以此来发现其背后隐藏的问题。虽然受益于国内经济的持续发展、动画市场的扩大与发展和国家政策对国产动画影片的保护等因素，华语动画影片近年来的票房成绩直线上升。但是华语动画影片依然存在着文本架构方面叙事较薄弱、角色的表演与塑造停留在表面和故事背景设定不够丰富等问题。此外华语动画影片在叙事策略与方法方面，还存在着运用失当或技巧单一等短板。动画影片归根结底，是一门叙事的艺术，所以如何解决叙事方面的不足，就成为了华语动画影片目前所面临的主要问题之一。本文的研究目的，正是尝试对这一问题提供一种解决的思路。在近年来国内外学者关于影视叙事学的最新论述和研究成果的基础之上，本文将梳理新世纪以来华语动画影片的变化和特点，并通过与国外优秀动画影片做横向比较，以及与上世纪华语动画影片做纵向比较，从这两个角度，来研究总结未来华语动画影片可以采用的叙事策略与方法。上世纪中后叶发展起来的“中国学派”动画，形成了一套有着鲜明特点的叙事方法体系。国内学界对于这一时期的华语动画影片的叙事，已经做了较多的研究，但是对新世纪以来的华语动画电影的叙事研究相对还比较少。本文通过对新世纪以来的华语动画影片进行分析归纳、对比研究，总结出了新世纪华语动画影片可以采用的新的叙事方法与叙事策略，包括以跨越不同传播媒介来完成叙事的跨媒介叙事，基于影视类型学的类型化与超类型叙事，和侧重于动画背景架构、角色设定和故事线索安排的陌生化叙事。虽然目前华语动画影片在商业上成功的案例日益增多，但是大多数的华语动画影片仍然面临着商业效益和艺术品质两方面的巨大压力。为了使华语动画影片整体上提高叙事质量，就需要持续的深入研究适合新世纪华语动画影片特点的叙事策略与方法，，并将理论运用于创作实践当中，以此实现动画叙事理论与动画创作的相互促进和共同发展。
[Abstract]:Since the beginning of the new century, the number and box office of Chinese animated films have developed rapidly, and in recent years they have even achieved a boom of "blowout". But in this boom of rapid development of the animation industry, What we especially need is cold thinking to discover the hidden problems behind it. Although we benefit from the sustained development of the domestic economy, the expansion and development of the animation market, and the protection of domestic animation films by national policies, The box office performance of Chinese animation films has risen sharply in recent years. But there is still a weak narrative in the text structure of Chinese animation films. In addition, there are still some problems in the narrative strategy and method of Chinese animation film, such as improper use or single skill. It is an art of narrative, so how to solve the shortage of narrative has become one of the main problems faced by Chinese animation films. The purpose of this paper is to try to provide a way to solve this problem. On the basis of the latest exposition and research results of domestic and foreign scholars on film and television narratology in recent years, This paper will comb the changes and characteristics of Chinese animation films since the new century, and compare them horizontally with foreign excellent animation films and vertically with the Chinese animation films of the last century, from these two angles. To study and summarize the narrative strategies and methods that can be used in the future Chinese animated films. The "Chinese School" animation developed in the middle and later part of the last century, A set of narrative methods with distinctive characteristics has been formed. Domestic scholars have done more research on the narration of Chinese animated films during this period. However, the narrative studies of Chinese animated films since the new century are relatively few. This paper summarizes the new narrative methods and narrative strategies that can be used in Chinese animated films in the new century, including cross-media narration across different media, typology and super-type narration based on film and television typology. And focuses on animation background structure, role setting and story thread arrangement of strangeness narration. Although the commercial success of Chinese animation films is increasing, However, most Chinese animation films still face tremendous pressure from both commercial benefits and artistic quality. In order to improve the narrative quality of Chinese animation films as a whole, It is necessary to continuously and deeply study the narrative strategies and methods suitable for the characteristics of Chinese animation films in the new century and apply the theory to the creative practice so as to realize the mutual promotion and common development of the animation narrative theory and animation creation.
【学位授予单位】：陕西科技大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J954

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