2008年以来我国影视改编透视与分析

发布时间：2018-04-01 21:42

本文选题：电影改编　切入点：消费文化　出处：《重庆工商大学》2014年硕士论文

【摘要】：文学小说文本历来都是改编电影作品的一个重要来源，在我国电影发展的几个重要阶段，都出现大量优秀的改编影视剧作品。80年代中后期就出现了一批改编电影，虽未在国内取得成绩，但在国际上却享有着非常优秀的声誉，其后在国内也引起了相应的思潮；到90年代中后期，这种态势并没有得到大幅度的增长，21世纪开始却呈现出喷涌式的发展，特别是现代传媒的发展，社会文化语境的巨大变化，更是给改编影视剧带入到一个发展的春天。 21世纪以来，我国的影视剧改编确实取得了巨大的成就，改编影视剧题材广泛、类型多样、不仅数量巨多，而且在质量上较以前的任何一个时期都有非常大而又明显的提高。本论文主要将时间区域定位于2008年以后的影视改编，对这期间的改编类型进行分析，并深入考察这一阶段的影视剧改编的实践、理论，并对这一时期的改编作品进行分析及反思。其内容主要在于给已经过去的这段改编历史尽可能的客观评价分析，并对以后的改编创作有所借鉴。本文主要内容是分三类内容进行分析，集中在第二、第三、第四章。第二章作为辅助着重以消费文化背景作为分析对象，进行整理大环境的梳理；从第三到第五章开始就以类型改编作为分类开始分析，首先是对红色经典的改编，其次是对历史的“戏说”和神话改编等类型进行分析概况（主要以改编电影《画皮》一二两部进行研究分析），以及对内容上的研究主要侧重于在消费时代环境下，，对女性符号的消费；，再次是研究互联网时代的媒介互动下，对网络小说改编的分析研究；最后主要是对21世纪以来改编影视剧的反思，内容主要以改编电影《白鹿原》作为分析对象，得出对其原著的人物形象改编的得失。由此，论文呼唤在现在消费时代背景下的改编影视剧，不仅要尊重原著，也要尊重受众，不能过度消费受众的审美，要出高质量的改编作品。
[Abstract]:The texts of literary novels have always been an important source of adapted films. In several important stages of the development of Chinese films, a large number of excellent adapted films and TV dramas appeared in the mid and late 1980s.Although they have not made any achievements at home, they have enjoyed a very good reputation internationally, and have since aroused the corresponding trend of thought at home. By the middle and late 1990s,This kind of situation does not get the big growth but presents the spewing development at the beginning of the 21st century, especially the development of the modern media, the huge change of the social culture context, but also brings into a spring of development for the adaptation of the film and television drama.Since the 21st century, great achievements have been made in the adaptation of movies and TV dramas in our country. The adaptation of films and TV plays has a wide range of subjects, various types, not only a huge quantity, but also a very large and obvious improvement in quality compared with any previous period.This paper mainly focuses on the time and region of the film and television adaptation after 2008, analyzes the adaptation types during this period, and deeply investigates the practice and theory of the adaptation of the film and television drama in this period.And the adaptation of this period of analysis and reflection.Its content mainly lies in the objective evaluation and analysis of the adaptation history that has passed, and it can be used for reference to the later adaptation creation.This paper is divided into three main content analysis, focusing on the second, third, fourth chapter.The second chapter focuses on the consumer cultural background as the object of analysis, sorting out the general environment; from the third to the fifth chapters on the type of adaptation as a classification, the first is the adaptation of the red classic.The second is to analyze the historical "drama" and mythological adaptation (mainly based on the adaptation of film "painting" and "two" to carry out research and analysis, as well as on the content of the main focus on the environment of the consumer era,The consumption of female symbols is once again to study the media interaction in the Internet age, and to analyze and study the adaptation of network novels; finally, to reflect on the adaptation of movies and TV dramas since the 21st century.The content mainly takes the adaptation film White Deer as the analysis object, obtains the gain and loss to its original character image adaptation.Therefore, the thesis calls for the adaptation of film and TV drama under the background of the present consumption era, not only to respect the original work, but also to respect the audience, not to overconsume the audience's aesthetics, and to produce high-quality adaptation works.
【学位授予单位】：重庆工商大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J904

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