香港电影中的卧底形象研究

发布时间：2018-04-03 09:48

本文选题：香港电影　切入点：卧底形象　出处：《西南大学》2017年硕士论文

【摘要】：目前关于香港电影的学术研究中,对“类型电影”的研究明显多于对“类型人物”的研究,仅有的一些对香港电影中人物形象的分析大多也只是作为电影文本研究的一个部分而存在,主要是从传统的人物观去对人物的造型手法、性格特征、道德精神、心理活动等方面展开评述,着重于分析人物和电影文本表达之间的关系,而鲜有对某一类人物形象背后所蕴含的社会历史文化信息进行探讨和揭示的著述。作为极具香港本土化特色的一种“类型人物”,身处在黑白夹缝中那片“灰色地带”的“卧底”们不仅能起到推动剧情发展的关键作用,该人物形象本身内含的隐密性、矛盾性与复杂性总能让我们从不同角度去审视香港社会。可以毫不夸张地说,香港电影中“卧底”形象的演变和发展在某种程度上暗示着香港社会的变迁和发展,深入研究这些卧底形象,有助于我们更好地认识香港社会和香港文化。本文将以1981年章国明拍摄的《边缘人》以来的香港电影(包括合拍片)中的“卧底”形象作为主要研究对象,跟随香港电影和香港社会的发展脚步,结合社会学、叙事学、传播学、心理学、文艺学、电影类型学等学科的相关理论知识,采用历史研究法、文本分析法、比较分析法等研究方法,对几十年来香港电影中的“卧底”这一人物形象进行深度的剖析——先从电影文本本身着手去解读卧底角色发展演变的历史轨迹和其在电影的文本叙事中所发挥的功能作用,再从文本延伸开来探讨卧底形象的文化成因和其传播价值,从而对香港电影中的卧底形象做一个由表及里的观瞻。除去导论和结语外,全文总共分为四个章节。第一章,卧底角色的历史轨迹。选择以香港回归、《无间道》上映以及CEPA协议的签订三个香港电影史上的重要时间点为分界线,对《边缘人》以来的香港电影中所塑造的卧底形象的发展演变情况进行细致的梳理和分析,并结合时代背景总结出卧底形象在不同时期的香港电影中所呈现的不同特点。第二章,卧底角色的叙事功能。结合叙事学人物研究理论对香港电影中卧底角色的叙事功能展开论述,重在厘清人物和叙事之间的关系问题,说明人物是叙事的重要元素,深入探究卧底这一角色是如何在香港电影的叙事文本中发挥作用的。第三章,卧底形象的文化成因。从香港的殖民文化、市民文化和商业文化等社会历史文化角度着手,追溯香港电影中卧底形象的文化形成因素,对卧底形象的身份认同问题、审美意识问题以及类型化倾向问题等进行详述,深层次挖掘“卧底”这一人物形象背后所蕴藏的深刻且独特的的文化内涵和艺术内涵。第四章,卧底形象的传播价值。综合运用传播学相关理论,探寻卧底形象的的传播价值,以深入阐释卧底形象以香港电影为传播载体进行广泛的传播后,对社会、艺术、经济等领域所产生的影响和效益。
[Abstract]:At present, among the academic studies on Hong Kong films, there are obviously more studies on "type films" than on "type characters".Most of the only analyses of the characters in Hong Kong films exist as part of the study of film texts, mainly from the traditional viewpoint of characters to the modeling techniques, character characteristics, and moral spirit of the characters.Psychological activities and other aspects of the comments, focusing on the analysis of the relationship between the characters and the text of the film, but there are few figures behind the image of a certain kind of social history and cultural information to explore and reveal the works.As a "type of character" with local characteristics in Hong Kong, "undercover" in the "gray area" in the black and white gap can not only play a key role in promoting the development of the plot, but also the implicit nature of the character itself.Contradiction and complexity always allow us to look at Hong Kong society from different angles.It is no exaggeration to say that the evolution and development of the "undercover" images in Hong Kong films to a certain extent imply the changes and development of Hong Kong society. A thorough study of these undercover images will help us better understand Hong Kong society and Hong Kong culture.This paper will take the "undercover" images in Hong Kong films (including co-productions) made by Zhang Guoming in 1981 as the main research object, follow the development of Hong Kong films and Hong Kong society, and combine sociology and narratology.Relevant theoretical knowledge of communication, psychology, literature and art, film typology, etc., using historical research, text analysis, comparative analysis and other research methods,A deep analysis of the image of "undercover" in Hong Kong films over the past decades-first of all, from the film text itself, to interpret the historical track of the development and evolution of the undercover character and its function in the narrative of the film's text.Then, the author explores the cultural causes of the undercover image and its spreading value from the text to make a view of the undercover image in Hong Kong film from the outside to the inside.In addition to the introduction and conclusion, the full text is divided into four chapters.The first chapter is about the history of undercover characters.Choosing three important points in the history of Hong Kong film, namely, the return of Hong Kong, the opening of Infernal Affairs and the signing of the CEPA agreement, as the dividing line.This paper makes a detailed analysis of the development and evolution of the undercover images created in Hong Kong films since the "Edge Man", and sums up the different characteristics of the undercover images in Hong Kong films in different periods according to the background of the times.The second chapter is the narrative function of undercover characters.Based on the theory of narratology, this paper discusses the narrative function of undercover characters in Hong Kong films, which focuses on clarifying the relationship between characters and narration, which shows that characters are important elements of narration.Explore how the role of undercover plays a role in the narrative of Hong Kong films.The third chapter, the cultural causes of undercover image.From the perspective of Hong Kong's colonial culture, civic culture and commercial culture, this paper traces the cultural factors of the undercover image in Hong Kong films, and the identity of the undercover image.The problem of aesthetic consciousness and the problem of type tendency are discussed in detail, and the deep and unique cultural and artistic connotations behind the character image of "undercover" are deeply excavated.The fourth chapter, the transmission value of undercover image.In order to expound the influence and benefit of the undercover image on the social, artistic and economic fields after the extensive dissemination of the undercover image with Hong Kong film as the communication carrier, this paper explores the communication value of the undercover image by using the relevant theory of communication.
【学位授予单位】：西南大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J905

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