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手绘实验动画中视觉形态的创意研究

发布时间:2018-04-04 18:01

  本文选题:手绘实验动画 切入点:视觉形态 出处:《湖北美术学院》2016年硕士论文


【摘要】:纵观动画的发展历史,动画的起源都是以实验动画的形式诞生,是动画发展的必经之路。随着数字化时代的进步与发展,商业动画热潮愈演愈烈,但实验动画以它独特的视听语言、极具个性化的表达形式仍然受到很多人的喜爱和追捧。手绘实验动画是实验动画中最主要的一种表现形式,其具有很强的美学意义与艺术价值。视觉形态具有多样性,被广泛的运用在实验动画中,而手绘实验动画是一种简短有力的艺术形式,叙事结构不同于常规动画,往往是对某个主题进行烘托渲染,或对某种视觉形式作创意表现,因此需要更加别出心裁地去进行创作。在如此自由的创作空间里,对视觉形态的创新研究,对更大限度的表达创作者的意图和想象力发挥有着至关重要的作用。现如今步入科技时代,掀起数字化热潮,视觉文化占据着主导地位,既促进了人们便利的生活又潜移默化的影响着人们对事物认知和审美的方向。不可置否的是,手绘实验动画的发展也更具有挑战性。本文以基本视觉形态的点线面形式为切入点,结合大量的手绘实验短片和个人创作经验对如何将手绘实验动画和视觉形态的创意造型有机结合做了理性的研究和归纳,总结了视觉形态的创新研究方法,以期望达到对手绘实验动画的创意视觉研究有一定的参考价值的目的。
[Abstract]:Throughout the history of development of animation, animation of the origin are based on experimental animation in the form of birth, is the only way which must be passed of animation development. With the development of the digital era, commercial animation boom intensified, but the experimental animation with its unique audio-visual language, highly personalized expression still loved by many people and hand-painted experimental animation sought. Is one of the most important forms of experimental animation, which has a strong aesthetic meaning and artistic value. Visual form is diverse, widely used in experimental animation, and hand-painted experimental animal painting is a kind of short powerful artistic form, the narrative structure is different from the conventional animation, are often carried out on the romancing a topic, or creative performance of a visual form, so we need more to create new styles for creation. In this free creative space, the visual form The innovation of research, the intention of the creator and imagination plays a vital role on the expression of a greater extent. Now entered the era of science and technology, a digital boom, visual culture occupies a dominant position, which not only promotes the influence of convenience to people life and the subtle people of cognition and aesthetic can not set the direction. The development of hand-painted experimental animation, but also more challenging. In this paper, the basic form of visual point form as the starting point, combined with a large number of experimental films and hand-painted personal creation experience to do the research and summary of how rational hand-painted experimental animation and visual form of creative combination, summarizes the research methods of visual form in order to study the creative vision of hand-painted experimental animation has a certain reference value.

【学位授予单位】:湖北美术学院
【学位级别】:硕士
【学位授予年份】:2016
【分类号】:J954

【参考文献】

相关期刊论文 前1条

1 孙锐;;新媒体时代手绘动画的艺术特征[J];现代装饰(理论);2014年10期



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