影片《memory key》的创作与精神符号分析

发布时间：2018-04-05 21:37

本文选题：影片《Memory　切入点：key》　出处：《上海师范大学》2017年硕士论文

【摘要】：弗洛伊德释梦是把梦的显意过渡为隐意的流程,这个解释十分形象:显意也就是梦境,属于梦的形象,即睡梦的人能够感受到且阐述出梦的意思。隐意也就是梦的实际主旨,即睡梦人依靠梦境所传导的思想。符号学的创立时期是以索绪尔语言学理论为主,符号学的分析与研究的关键演变即弗洛伊德精神分析理论以及麦茨研究电影的方式所起的作用,上述两者的合并象征着第二符号学的形成。电影第二符号学所重视与研究的是影像同人的联系,其是以精神分析学作为基础的,而精神分析学所研究与分析的是本能无意识欲望机制关系以及梦与人的联系。所有人都有部分不愿被他人所熟悉且藏在脑海中的记忆,然而该记忆却会由于潜意识的影响会在无形中被揭示出,当隐藏的记忆渐渐地被挖掘,人则会进入恐惧状态。本人对《Memory key》的创作展开分析,偿试对电影符号展开探讨。
[Abstract]:Freud's interpretation of a dream is the process of transforming the meaning of a dream into an implicit one. This explanation is very vivid: meaning is a dream, which belongs to the image of a dream, that is, the person who sleeps can feel and explain the meaning of the dream.Implicit meaning is the actual theme of dreams, that is, the dreamers rely on the dream of the transmission of ideas.In the founding period of semiotics, Saussure's linguistic theory was the main one. The key evolution of the analysis and research of semiotics was the function of Freud's psychoanalysis theory and the way in which Metz studied films.The combination of the two symbolizes the formation of the second semiotics.The second semiotic study of film emphasizes and studies the relation between image and man, which is based on psychoanalysis, while psychoanalysis studies the mechanism of instinctive unconscious desire and the relationship between dream and man.There is part of a memory that everyone does not want to be familiar with and hidden in his mind, but that memory is revealed invisibly by subconscious influences, and when hidden memories are gradually unearthed, people go into a state of fear.I analyze the creation of Memory key and discuss the movie symbols.
【学位授予单位】：上海师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J905

【参考文献】