当前位置:主页 > 文艺论文 > 影视论文 >

新世纪以来中国都市电影与中产阶级的镜像表达

发布时间:2018-04-06 02:17

  本文选题:新世纪 切入点:都市电影 出处:《上海大学》2013年硕士论文


【摘要】:电影诞生于巴黎街头的一家大咖啡馆内,并从此与都市结下了不解之缘。中国电影也同样在大都市发轫,而后受到都市文化的滋养,,渐渐地在中国大地上发展流行起来。本文研究的都市电影,是那些以现代化大都市为故事背景、以展现都市人群的生活百态以及他们的思想、情感、愿望等心理活动为主要内容的电影。而谈及新世纪以来的都市电影,不容忽视的一点是电影中大量涌现的中产阶级形象,在都市电影蓬勃发展的今天,形形色色的中产阶级人物形象正以其消费前卫及品位阶层的姿态引领着全社会的时尚潮流与生活方式。 本文首先从职业、教育、财产三个方面界定了中产阶级的概念范围,接着采用电影文本细读法对新世纪以来都市电影中的中产阶级形象进行分析、总结,由此发现,近年来社会环境的巨大变化使得中国中产阶级的消费场域随之发生变化,产生了许多新特征。同时,社会文化语境的变化,使得新世纪中产阶级的文化品位和阶层认同都发生了重大的转变,中产阶级的品位更多地具有了丰富的阶层区隔意味。此外,都市电影对当前的中产阶级认同(包括社会认同和自我认同)的影响也是巨大的,这种影响包括生活方式、爱情观念和事业追求等诸多方面。在中国传统文化因断裂而缺失的情形下,西方生活方式与道德价值观正在中产阶级日常生活中悄悄地蔓延,并已经表现出其潜移默化的影响。 新世纪以来的都市电影,以特有的方式关注和映射中产阶级的心理状态和他们的生活处境,塑造了令人耳目一新的中产阶级形象。但令人遗憾的是,大量都市电影表现出的是一种以消费为中心的中产阶级文化镜像,电影本身并不在意是否切合事实,使得这些中产阶级形象具有极强的夸张性与虚饰性。尽管如此,都市电影还是对转型时期社会心理的一种投射或者迎合。不过从根本上讲,它无疑还是停留在大银幕上的中产阶级镜像,我们不能将它当作现实来看待,但是都市电影依然给人们造成了一种错觉与幻像,如果把握不当,甚至会是一定程度上的误导。针对这一问题,对新世纪都市电影中的中产阶级形象进行分析,可以帮助我们从一个侧面把握住都市电影和阶层社会的发展脉络。本文旨在探究新都市电影与中产阶级镜像的有机互动关系,希望能够对新世纪都市电影的创作有所裨益。
[Abstract]:The film was born in a large cafe on the streets of Paris and has been linked to the city ever since.Chinese films also started in metropolitan areas and were nurtured by urban culture, and gradually developed and became popular in China.The urban films studied in this paper are those with the modern metropolis as the background of the story, to show the life of urban people and their thoughts, emotions, desires and other psychological activities as the main content of the film.When it comes to urban films since the new century, one thing that can not be ignored is the emergence of a large number of middle-class images in films. Today, when urban films are booming,All kinds of middle-class figures are leading the fashion trend and life style of the whole society with their consumption avant-garde and taste class attitude.This paper first defines the concept range of middle class from three aspects of occupation, education and property, and then analyzes the middle class image in urban movies since the new century by means of film text reading method.In recent years, the great changes of social environment make the consumption field of middle class in China change with it, and produce many new characteristics.At the same time, the change of social and cultural context makes the cultural taste and class identity of the middle class have changed greatly in the new century, and the taste of the middle class has a rich sense of stratification.In addition, the impact of urban movies on the current middle class identity (including social identity and self-identity) is enormous, including life style, love concept and career pursuit and so on.In the absence of Chinese traditional culture due to the breakage, the Western way of life and moral values are spreading quietly in the daily life of the middle class, and have shown their subtle influence.The urban movies in the new century pay attention to and reflect the psychological state of the middle class and their living conditions in a special way, and create a refreshing image of the middle class.However, it is regrettable that a large number of urban films show a consumption as the center of the middle class culture mirror, the film itself does not care whether it is true, making these middle-class images have a strong exaggeration and hypocrisy.Nevertheless, urban movies are still a projection or pandering to the social psychology in the transitional period.But fundamentally speaking, it is no doubt still a middle-class image on the big screen. We can't treat it as a reality, but urban movies still give people an illusion and an illusion, if they are not handled properly,It can even be somewhat misleading.In view of this problem, the analysis of the middle class image in urban movies in the new century can help us grasp the development of urban movies and social strata from one side.The purpose of this paper is to explore the organic interaction between the new urban film and the middle-class image, hoping to be helpful to the creation of the urban film in the new century.
【学位授予单位】:上海大学
【学位级别】:硕士
【学位授予年份】:2013
【分类号】:J905

【参考文献】

相关期刊论文 前10条

1 路春艳;;城市电影:关于城市的想象与记忆[J];北京社会科学;2008年02期

2 戴晓晖;;中产阶层化——城市社会空间重构进程[J];城市规划学刊;2007年02期

3 段运冬;;中产阶级的审美想象与中国主流电影的文化生态[J];当代电影;2007年06期

4 陈晓云;;电影城市:当代中国电影的城市想象[J];当代电影;2008年12期

5 许迪声;;个体与集体:中国都市电影创作元素分析[J];当代电影;2009年12期

6 黄钟军;;从模糊之域到具名之城——当代电影生产与城市营销的新互动关系研究[J];当代电影;2010年12期

7 汪振城;;80年代中国电影对城市文化的艺术呈现[J];当代电影;2011年03期

8 陆绍阳;新城市电影影像特征[J];电影艺术;2004年05期

9 王海洲;视点及其文化意义:当代中国城市电影研究[J];电影艺术;2005年02期

10 尹鸿;李瑗瑗;;蜕旧变新 重装出发——2011中国电影创作备忘[J];当代电影;2012年03期



本文编号:1717526

资料下载
论文发表

本文链接:https://www.wllwen.com/wenyilunwen/dianyingdianshilunwen/1717526.html


Copyright(c)文论论文网All Rights Reserved | 网站地图 |

版权申明:资料由用户5997d***提供,本站仅收录摘要或目录,作者需要删除请E-mail邮箱bigeng88@qq.com