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许鞍华导演电影研究

发布时间:2018-04-06 05:09

  本文选题:写实风格 切入点:女性形象 出处:《西南大学》2014年硕士论文


【摘要】:电影这个行业从来都是男人挥洒汗水的天地,但是身为女性的许鞍华导演却用自己独特的视角和他人没有的坚持,立足于这个领域长达三十多年,在香港新浪潮脱颖而出的许鞍华在从影三十多年来可谓是硕果累累、毁誉参半,在香港电影圈、乃至于华人电影圈有着不可替代地位。 本论文包括绪论、正文主体和结语三个部分,各自选取相应的文本细致分析了许鞍华导演从影三十多年所创作的电影作品。绪论部分梳理了其生平经历、作品概况和研究现状,总结出目前对许鞍华研究不甚丰富的原因是其作品众多、毁誉参半、且作品内容无固定路数。正文部分总共分为三章,第一章主要分析了其艺术风格,从镜头语言、叙述机制和造型空间这三个方面归纳出“写实主义”是许式电影惯用的表现手法;第二章主要研究的是许鞍华电影作品中的女性形象,将其大致归纳为坚强的、悲情的、敏感话题中的女性这三大类,具体解读了许鞍华是如何塑造她们的。第三章分析的是许鞍华导演对文学作品的改编,选取了《半生缘》与《倾城之恋》这两部最具代表性的电影,从故事情节、人物设计、叙述角度这三个层面对比了影片和原著小说的不同之处。
[Abstract]:The film industry has always been a place for men to sweat, but as a woman, director Xu Anhua used his own unique perspective and other people's insistence to stay in this field for more than 30 years.Hui Anhua, who stands out in the new wave of Hong Kong, has been fruitful and has a mixed reputation in the past 30 years, and has an irreplaceable position in the Hong Kong film circle and even in the Chinese film circle.This thesis includes three parts: introduction, main body and conclusion.The introduction part combs his life experience, works general situation and research present situation, sums up the reason that Xu Anhua's research is not very rich at present, because his works are numerous, the reputation is mixed, and the content of his works has no fixed path.The main body part is divided into three chapters, the first chapter mainly analyzes its artistic style, concludes that "realism" is the usual expression technique of Xu type film from three aspects: lens language, narrative mechanism and modeling space.The second chapter mainly studies the female image in Xu Anhua's film works, which is divided into three categories: strong, sad and sensitive topic, and explains how Xu Anhua molds them.The third chapter analyzes the adaptation of literary works by director Xu Anhua, and selects the two most representative films, "the relationship between the half Life" and "the Love of Qing City", from the storyline and the character design.The three levels of narration contrast the difference between the film and the original novel.
【学位授予单位】:西南大学
【学位级别】:硕士
【学位授予年份】:2014
【分类号】:J905

【参考文献】

相关期刊论文 前2条

1 金燕;艺术和商业的双重失落——影片《玉观音》观后[J];当代电影;2004年02期

2 黄秀坤;;许鞍华电影的悲剧意识[J];电影文学;2010年16期



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