港台青春片的美学流变及当下状态

发布时间：2018-04-09 08:51

本文选题：港台青春片　切入点：在地性　出处：《电影艺术》2017年03期

【摘要】：中国内地、台湾和香港的青春片有着不同的美学分野。台湾青春片经历了从青春题材影片到青春类型影片的转变,并成为当下台湾电影的主体类型,具有追求在地性、表达真实而纯净的青春体验、简单叙事的类型特征。香港青春片一直是对香港动作、喜剧、悬疑等主体类型的营造给予辅助,未能成为独立的主导类型;新世纪以来,香港青春片在本土电影中所占比重日益增多,辅以喜剧、情色等类型包装,表现当下年轻港人情感生活的影片成为该类型的主体呈现。
[Abstract]:Youth films in mainland China, Taiwan and Hong Kong have different aesthetic distinctions.The Taiwan youth film has experienced the transformation from the youth theme film to the youth type film, and becomes the main type of the present Taiwan film, has the type characteristic of pursuing in the ground, expressing the true and pure youth experience, simple narration.Hong Kong youth films have always assisted the construction of Hong Kong action, comedy, suspense and other main types, and have not become an independent dominant type. Since the new century, Hong Kong youth films have taken up an increasing proportion in local films, supplemented by comedies.Sex and other types of packaging, showing the emotional life of young Hong Kong people as the main body of this type of presentation.
【作者单位】：中国艺术研究院影视所;
【分类号】：J905

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