微电影的后现代特征及价值观

发布时间：2018-04-10 22:52

本文选题：微电影 + 后现代　；参考：《浙江师范大学》2013年硕士论文

【摘要】：本文以微电影为研究对象,从后现代角度,由现象到本质,探寻了微电影的特征和价值观。微电影与电影短片、网络短片、手机电影一脉相承,并不等同。四者经历了制作专业化、导演精英化、审美大众化的演变过程。微博在微电影的诞生过程中起着载体的重要作用,而广告与微电影有难以割裂的交叉关系。微电影即在新媒体平台上,尤其是以微博为代表的社交网络平台为载体进行播放,通过系统策划和制作,具有完整故事情节,类似电影的视频短片。微电影具有后现代特征。微电影在故事内容、叙事策略、视听语言等三个方面具有鲜明的后现代性。微电影综合利用解构、戏仿、拼贴、黑色幽默、狂欢等各种后现代叙事策略,平面化、生活化、MV式的视听语言,从微观角度演绎现代社会城市底层小人物悲欢离合的平实小故事。微电影颠覆固有审美、英雄形象,制造矛盾荒诞和视觉奇观,具有娱乐魔力,释放观众现实压力。微电影的价值观趋向回归主流,表现出对纯爱的向往、婚姻的责任和家庭亲情的维系、对人生梦想的执着以及英雄主义情结、善恶有报的信念。根源则是商业的渗透与意识形态的操控、创作者自身的批判意识与寻求认同的双重性,以及中国根深蒂固的传统道德文化。总之,微电影是具有娱乐性和批判性,商业性和主流性的后现代矛盾统一体。
[Abstract]:From the perspective of postmodernism and from the perspective of phenomenon to essence, this paper explores the characteristics and values of micro-film.Micro-film and short film, network short film, mobile-phone film in the same line, is not the same.Four experienced the production specialization, director elite, aesthetic popularization of the evolution process.Weibo plays an important role in the birth of micro-film, and advertising and micro-film have an inextricable cross-relation.Microfilm is played on the new media platform, especially on the social network platform represented by Weibo. Through system planning and production, it has a complete story plot, similar to a short video film.Micro-film has the characteristics of post-modern.Micro-film has distinct post-modernity in three aspects: story content, narrative strategy and audiovisual language.Micro film comprehensive use of deconstruction, parody, collage, black humor, carnival and other post-modern narrative strategies, flat, life MV-style audio-visual language,From the micro point of view, this paper deduces the story of joys and sorrows at the bottom of modern society.Micro-film subverts the inherent aesthetic, hero image, create contradictions and visual wonders, with entertainment magic, release the audience realistic pressure.The values of micro-film tend to return to the mainstream, showing the yearning for pure love, the responsibility of marriage and the maintenance of family affection, the attachment to the dream of life, the heroism complex, the faith that good and evil are rewarded.The roots are the penetration of commerce and the manipulation of ideology, the duality of the creators' own critical consciousness and seeking identity, and the deep-rooted traditional moral culture in China.In a word, micro-film is an entity of postmodern contradiction with entertainment and critical, commercial and mainstream.
【学位授予单位】：浙江师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J905

【参考文献】