精神分析学视野下今敏动画梦境研究

发布时间：2018-04-11 04:02

本文选题：动画 + 今敏　；参考：《山西师范大学》2017年硕士论文

【摘要】：日本动画导演今敏是一位擅长于创设梦境、表现角色复杂精神层面、具有超现实主义精神的“非主流”动画导演。他作为动画导演共创作了五部动画作品,其中四部动画电影,一部电视动画剧。今敏的作品中可窥见精神分析理论的影子,且深受意识流电影的影响,常以抽象的精神世界为着眼点,立足于描绘人类深不可测的意识领域,多用奇特、变幻的个人化镜像语言为表现形式,赋予故事强烈的戏剧张力,悬念迭生。本研究主要以日本动画大师今敏生前监督制作的五部动画作品为研究对象,依据精神分析法相关理论,从角色人格分析、视听语言、叙事手法等方面解读今敏作品中的梦境和意识幻境元素。今敏最初从事漫画创作,出版过几部漫画作品,后师从日本动画大师大友克洋。作为日本新一代动画导演,今敏继承了前辈们动画创作的思想性,作品又极具个人风格,在日本动画界起到了承前启后的作用。他拥有丰富的阅片量,并善于学习电影的视听技巧,这是他的作品中充满电影感的重要原因。电影与梦有着天然的相似,通过梳理电影史上的梦境电影,总结不同时代、流派的梦境电影风格及特征。反观今敏的梦境电影特色可知:今敏的动画作品从内容到框架都是梦幻式的。他擅于运用自己对梦的经验来结构电影,试图用梦境、白日梦、幻想等一系列镜头语言,辅以梦境的相关理念和造梦机制讲述故事,从而达到隐喻社会和哲学等方面的深层次含义。今敏的动画作品不仅受前人影响,还具有超前的引领作用,对不少好莱坞大导演的创作产生过重要影响。在今敏的动画作品中,梦境和意识幻境占有很大的比重,对梦境和意识幻境的刻画可以有力的反映出角色在压力和人格矛盾中的精神危机和内心挣扎。运用精神分析法相关理论,对今敏作品中的几位主要角色进行人格解析,分析其角色人格矛盾冲突的深层原因。并通过对梦境案例的分析,来解析人物的梦境与潜意识关系。今敏的动画作品时空自由洒练,虚实交错,人物常常在现实、梦境和幻觉中穿梭,影片的叙述有强烈的“意识流”风格。通过对今敏作品中的叙事策略、艺术表现手法进行分析,解读今敏动画作品的叙事特征和艺术风格,认识今敏作品所蕴含的独特艺术表现力。独具个人风格的梦境元素贯穿在今敏作品的方方面面,意识与潜意识的交织影响、现实与梦幻的纠缠相融,给观众带来冒险般的奇妙视听感受,留下无尽的回味与思索空间。研究今敏及其动画,对于拓宽我国动画及电影的创作思路、深化动画及电影创作的艺术表现手法、刻画人物的精神世界都有非常大的帮助。
[Abstract]:Japanese animation director Kenmin is a "non-mainstream" animation director who is good at creating dreams, representing complex spiritual level of characters and surreal spirit.As an animation director, he created five animated works, including four animated films and a television animation play.In his works one can see the shadow of psychoanalysis theory, and deeply influenced by stream of consciousness movies, often focusing on the abstract spiritual world, based on depicting the unfathomable realm of human consciousness.The changing personal mirror language is the form of expression, which endows the story with strong drama tension and suspense.This study mainly focuses on five animations produced by Japanese animation guru Hyon Min before his death. According to the theory of psychoanalysis, the author analyzes the personality of the characters, audiovisual language, and so on.Narrative techniques and other aspects of the interpretation of the works of dream and consciousness fantasy elements.Hyun-min initially engaged in comic creation, published several comic books, after the Japanese animation master Dayouke Yang.As a new generation of Japanese animation director, Gimin inherits the ideological content of his predecessors' animation creation, and his works have a very personal style, which plays a role of connecting the past and the future in the field of Japanese animation.He has a lot of reading, and is good at learning the audiovisual skills of films, which is an important reason for the film sense in his works.The film and dream have the natural similarity, through combing the dream movie in the film history, summarizes the different times, the school dream movie style and the characteristic.On the other hand, we can see that the animation works are dreamlike from the content to the frame.He is good at structuring movies using his experience in dreams, trying to tell stories with dream, daydream, fantasy, and a series of lens language, supplemented by dream related concepts and dream making mechanisms.In order to achieve metaphorical social and philosophical aspects of the deep meaning.Jin Min's animation works are not only influenced by predecessors, but also have a leading role, which has had an important influence on the creation of many Hollywood directors.In the animation works of Jin Min, dream and consciousness fantasy occupy a large proportion. The portrayal of dream and consciousness fantasy can reflect the spiritual crisis and inner struggle of the character in the stress and personality contradiction.Based on the theory of psychoanalysis, this paper analyzes the personality of several main characters in Jin Min's works, and analyzes the deep causes of the conflict of their characters' personality.And through the analysis of dream cases, to analyze the relationship between the dream and the subconscious.Jin Min's animated works are freely practiced in time and space, with reality and reality crisscrossing, characters often shuttling through reality, dreams and hallucinations. The narration of the film has a strong "stream of consciousness" style.Through the analysis of the narrative strategy and artistic expression techniques in the works, this paper interprets the narrative characteristics and artistic style of the animation works, and recognizes the unique artistic expressive power contained in the works.The dream element with individual style runs through every aspect of his works, the intertwined influence of consciousness and subconscious, the entanglement of reality and dream, brings the audience a wonderful audio-visual feeling of adventure, leaving endless aftertaste and thinking space.The study of Jin Min and his animation is of great help to broaden the creative thinking of animation and film in our country, deepen the artistic expression of animation and film creation, and depict the spiritual world of characters.
【学位授予单位】：山西师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J954

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