国产魔幻电影的视觉审美流变

发布时间：2018-04-14 10:17

本文选题：国产电影 + 魔幻题材　；参考：《电影文学》2017年16期

【摘要】：随着全球政治、经济、文化一体化趋势的加强,魔幻电影的涟漪逐渐涌向中国内地。2001年《少林足球》和《蜀山传》的上映,拉开了国产魔幻电影的帷幕。此后,《无极》《画壁》《西游·降魔篇》等作品的问世,使国产魔幻电影呈现出高速增长的态势。当前,学者从不同视角对魔幻电影进行研讨,但鲜有人对视觉审美的流变进行系统性的疏导。文章即以此为切入点,从形式性、景观性、融合性三方面,探讨国产魔幻电影的视觉审美流变。
[Abstract]:With the strengthening of the global political, economic and cultural integration trend, the ripples of magic films gradually poured into the mainland of China. In 2001, the release of Shaolin Football and Shu Shan Biography opened the curtain of domestic magic films.Since then, "Wuji", "painting wall", "West travel down the devil" and other works came out, making the domestic magic film show a rapid growth trend.At present, scholars study magic movies from different perspectives, but few systematically guide the evolution of visual aesthetics.This paper discusses the visual aesthetic evolution of domestic magic films from three aspects: formality, landscape and fusion.
【作者单位】：大连工业大学;
【分类号】：J905

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