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二十世纪九十年代以来美国非主流动画电影研究

发布时间:2018-04-14 12:35

  本文选题:非主流 + 叙事特征 ; 参考:《福建师范大学》2013年硕士论文


【摘要】:本文对美国非主流动画电影系统研究的时间界定是从二十世纪九十年代以来,所研究的案例是以美国动画剧情长片为主,短片为辅,本文中九十年代以前的美国或其他国家非主流动画电影将较少进行系统研究。第一章首先阐述非主流动画电影发展的脉络,通过自身研究对非主流动画电影进行概念界定,并对国内外非主流动画电影产生的历史溯源、现状以及特征分类进行梳理。后两章则分别研究九十年代以来美国非主流动画电影的题材选择、人物设置以及叙事特征。通过后两章的探讨也可反过来当作本人在第一章对非主流动画电影的概念界定的依据。 另外,九十年代以来的非主流动画电影之所以不同于传统动画影片,区别之一就在于其独特的叙事结构和叙事风格。在第四章本文讨论了非主流动画电影对当今的主流动画电影有着怎样重要的影响。九十年代以来,动画电影的影响力日益重大,票房更是节节高升,而新世纪以来非主流动画电影与主流动画电影互相影响,非主流动画电影如何才能既保持非主流的“内心”,又能很好的迎合广大观众?这成为一个非常有价值和意义的问题。受到“非主流”的影响,主流动画电影该如何发展,也值得所有创作人员深思。
[Abstract]:This paper defines the time for the study of the non-mainstream animation film system in the United States. Since the 1990s, the cases studied have been mainly American animated feature films, supplemented by short films.In this paper, the non-mainstream animation films in the United States or other countries before the 1990 s will be less systematic research.The first chapter first describes the development of non-mainstream animation film context, through its own research to define the concept of non-mainstream animation film, and domestic and foreign non-mainstream animation film history, the status quo and characteristics of classification are combed.The latter two chapters separately study the theme selection, character setting and narrative features of American non-mainstream animated films since 1990 s.The discussion of the latter two chapters can also be regarded as the basis of defining the concept of non-mainstream animation film in the first chapter.In addition, one of the differences between non-mainstream animation films since 1990's and traditional animation films lies in their unique narrative structure and narrative style.In the fourth chapter, this paper discusses how the non-mainstream animation film has an important influence on the current mainstream animation film.Since the 1990s, the influence of animated films has become increasingly important, and the box office has been rising. Since the new century, non-mainstream animated films and mainstream animated films have interacted with each other. How can non-mainstream animated movies maintain the "inner" of the non-mainstream?And it caters to the public?This becomes a very valuable and meaningful question.Under the influence of "non-mainstream", how to develop mainstream animation films is worth pondering by all creators.
【学位授予单位】:福建师范大学
【学位级别】:硕士
【学位授予年份】:2013
【分类号】:J954

【参考文献】

相关期刊论文 前2条

1 王婷;;浅谈动画的本质问题[J];美与时代(上半月);2009年07期

2 徐贤如;于春丽;;国内外动画研究现状述评[J];民族艺术研究;2010年05期



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