丑角、小人物与“边缘人”——论韩非的银幕形象与沪港之旅

发布时间：2018-04-14 16:20

本文选题：中国电影史 + 喜剧片　；参考：《电影艺术》2017年01期

【摘要】：本文拟梳理演员韩非的表演生涯,挖掘其银幕形象与不同社会政治文化之间的互动,重点探讨韩非在战后初期上海及香港影坛的表演风格,尤其是他塑造的喜剧形象所投射出的文化政治意涵,借此讨论20世纪40年代中后期以来沪港电影交流,以及新中国成立后内地与香港之间的电影交流之于中国电影史的重要意义。
[Abstract]:This paper intends to comb out the acting career of actor Han Fei, excavate the interaction between his screen image and different social political culture, and focus on the style of performing in Shanghai and Hong Kong in the early postwar period.In particular, the cultural and political implications of the comedy images he created were used to discuss the film exchanges between Shanghai and Hong Kong since the mid and late 1940s.And the significance of film exchange between the mainland and Hong Kong in the history of Chinese film after the founding of New China.
【作者单位】：中国人民大学文学院;
【基金】：国家社科基金艺术学青年项目“战后香港‘南来影人’研究”(批准号:15CC128)之阶段性成果
【分类号】：J912

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