当代家庭伦理题材电视剧的悲剧色彩探析
发布时间:2018-04-15 08:06
本文选题:悲剧色彩 + 家庭伦理题材电视剧 ; 参考:《黑龙江大学》2013年硕士论文
【摘要】:电视剧作为文化的产物,具有特殊的媒介性质,家庭伦理题材电视剧作为当代中国一个重要的叙事艺术,它鲜明的体现了中国的儒家传统文化。它以家庭生活琐事为主要内容,以亲伦情缘作为主要的情感体验,致力于弘扬主流的社会价值观。 面对社会的纷繁变化,家庭伦理题材电视剧逐渐从再现生活转变到关注社会热点,从主流意识的宣传转换到对于现实的批评和反思,从大团圆的安慰美感转化到悲剧美的审视。 本文就以家庭伦理题材电视剧的悲剧色彩为主要研究对象,通过对于悲剧色彩的界定,悲剧色彩在家庭伦理题材电视剧中的表现,悲剧色彩对于家庭伦理题材电视剧的影响等方面的论述,,探究家庭伦理题材电视剧中悲剧色彩的作用,以期为此课题建设拓展视野。
[Abstract]:As the product of culture , TV series has special media character , and the TV series of family ethics is an important narrative art of contemporary China . It embodies the traditional culture of Confucianism in China . It takes family life as the main content , as the main emotional experience , and devotes itself to carrying forward the mainstream social values .
Facing the social and social changes , the TV series of family ethics gradually changes from the reproduction life to the social hot spot , from the propaganda of the mainstream consciousness to the criticism and reflection of the reality , from the comfort of the reunion to the tragedy beauty examination .
This article focuses on the tragic color of the TV series of family ethics as the main research object . Through the definition of tragedy color , the expression of tragedy color in the TV series of family ethics , the influence of tragedy color on the TV series of family ethics , this paper probes into the role of tragedy color in the TV series of family ethics , with a view to expanding the field of view of the subject construction .
【学位授予单位】:黑龙江大学
【学位级别】:硕士
【学位授予年份】:2013
【分类号】:J905
【参考文献】
相关期刊论文 前1条
1 彭国翔;合法性、视域与主体性——当前中国哲学研究的反省与前瞻[J];江汉论坛;2003年07期
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