许鞍华后期作品老年人物形象研究

发布时间：2018-04-15 10:10

本文选题：许鞍华 + 老年题材　；参考：《海南大学》2013年硕士论文

【摘要】：许鞍华是华语电影界中重要的女性导演,她的电影始终将关注的重点置于弱势群体与社会小人物的身上,用她平实冷静的镜头去默默关注他们的日常生活与喜怒哀乐,始终贯穿着浓郁的人文关怀。从影多年,许鞍华导演为观众创作了不少电影佳作,而她在电影作品里塑造出来的一系列老年人物形象,不仅丰富了电影艺术的老年形象,也在深刻的层面上关注老龄问题、反映社会问题。在人口老龄化的背景下,对许鞍华作品的老年人物形象进行研究,具有深远的理论和现实意义。本文集中研究了许鞍华后期电影作品中的老年人物形象,在具体分析其作品的艺术探索背景、老年形象建构以及艺术特色的同时,还比较了她的老年题材电影与国内其他老年题材电影的异同之处,以期对许鞍华老年电影作品的主题意蕴及独特的艺术价值有较为清晰深刻的认识。论文序言部分从许鞍华的老年电影《桃姐》获奖谈起,简要说明了分析许鞍华作品老年人物形象的必要性和研究目的。第一章从许鞍华的文化渊源、地域背景、以及身份认同这三个方面对她的艺术探索背景进行了梳理。第二章详细分析了许鞍华后期电影中的老年形象,具体将她老年题材作品中的老年人物形象主要划分成三大类型,并且描述了这群老年角色生存状况和形象特点,第三章指出了许鞍华老年题材电影里映现的社会问题分别有养老问题和死亡问题。第四章中从三个方面分析了许鞍华老年题材电影的艺术特色中浓郁的人文关怀、沉稳的纪实风格以及独特的女性意识。第五章指出许鞍华老年电影与国内其他老年电影存在着创作背景和艺术特征上的相同之处。第六章比较分析了许鞍华老年电影与其他老年电影的不同之处,指出她的作品老年形象性别特征更为鲜明、反映老龄问题更为深刻,并且能实现商业元素与艺术电影的融合、实现双赢。本文希望通过对许鞍华老年人物形象的系统研究,深入分析许鞍华的老年人物形象,探寻其独特的艺术风格和审美意义,以期为老年影视创作提供有益的启示,为老年题材电影研究贡献自己的一份绵薄之力。
[Abstract]:Hui An-hua is an important female director in the Chinese film industry. Her films have always focused on the disadvantaged groups and the small people in society, using her calm and calm lens to silently focus on their daily life and their joys, sorrows and sorrows.Always run through the rich humanistic care.After many years of film, Director Hui Anhua has created many excellent films for the audience, and the series of images she has created in her film works not only enrich the image of old age in film art, but also pay close attention to the problem of aging at a deep level.Reflecting social problems.Under the background of aging population, it is of profound theoretical and practical significance to study the characters of the aged in Xu Anhua's works.This paper focuses on the image of elderly characters in Xu Anhua's later film works, and analyzes the artistic background, image construction and artistic characteristics of his works.It also compares the similarities and differences between her films on the elderly and other films on the subject of old age in China in order to have a clear and profound understanding of the theme implication and unique artistic value of Hui Anhua's films for the aged.The preface of this paper starts with Xu Anhua's winning film "Tao Jie", and briefly explains the necessity and research purpose of analyzing the image of the elder characters in Xu Anhua's works.The first chapter combs Xu Anhua's artistic exploration background from her cultural origin, regional background and identity.The second chapter analyzes the image of the elderly in Xu Anhua's later films, and divides the characters of the elderly into three types, and describes the living conditions and image characteristics of the elderly characters.The third chapter points out that the social problems reflected in Xu Anhua's old age films are old-age problems and death problems respectively.The fourth chapter analyzes three aspects of Xu Anhua's old age theme film in the rich humanistic care, steady documentary style and unique female consciousness.Chapter five points out that Xu Anhua's senior-aged film has the same background and artistic characteristics as other old-age films in China.Chapter six compares and analyzes the differences between Hui Anhua's senior films and other old people's movies, and points out that her works have more distinct gender characteristics of the image of the elderly, which reflect the problem of aging more deeply, and can realize the integration of commercial elements and art films.To achieve a win-win situation.This paper hopes that through the systematic study of the image of Xu Anhua's elderly characters, the author will deeply analyze the image of Xu Anhua's elderly characters, and explore its unique artistic style and aesthetic significance, in order to provide useful inspiration for the creation of the aged film and television.To contribute their own contribution to the study of films on the subject of old age.
【学位授予单位】：海南大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J911

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