戏剧观与电影观念论争比较研究:1979-1989
发布时间:2018-04-16 18:02
本文选题:新时期 + 戏剧观 ; 参考:《西南大学》2013年硕士论文
【摘要】:没有一门艺术能像戏剧一样和电影有着如此紧密的关系,电影诞生之后,戏剧对电影的影响从未间断。同为综合艺术,两者的联系和区别,一直是学者们讨论的热点之一。或者说,戏剧更像电影的教父,有声电影问世后,戏剧才真正意识到了迸发强劲生命力的新兴艺术带来的威胁,于是梅耶荷德提出了将“戏剧电影化”改造戏剧的口号。回顾电影发展史,电影却是在“戏剧化”的道路上一路前进,给早期电影带来繁荣。二三十年代的美国好莱坞电影和三四十年代的中国电影是“戏剧化”电影的典型,在电影起步的初阶期,戏剧元素的融合使电影贴近观众,进而取得作为艺术的一席之地。 到了70年代末80年代初,走出文化浩劫的艺术界,寻求艺术新路、摆脱陈规窠臼的渴望尤其炽烈。针对之前电影儿乎沦落成了用电影摄制设备拍摄出的戏剧“样板戏”,各种原则严重束缚了电影的自由发展的状况,电影工作者们以高度的责任感和热情投入进这场讨论,电影界兴起了电影观念的论辩,这其中最重要的论争点,其实都和戏剧有关。同时,戏剧界也针对新时期新情况,突破传统写实的束缚,对写实的话剧大胆形式创新,并展开了关于戏剧观的讨论,而戏剧界对戏剧观的讨论,也和电影的发展不无关系。 本文以新时期头十年的戏剧观和电影观念为研究对象,对其进行观点梳理分析,进而对比新时期戏剧观和电影观念交叉和变轨,分析观点、对比异同,希望通过梳理论辩观点,呈现出激情时代论辩的价值。论文主要分为三部分。第一部分,分析新时期戏剧观论辩;第二部分,分析新时期电影观念的论辩;第三部分,分析新时期戏剧观和电影观念的交叉和变轨。
[Abstract]:No art has such a close relationship with film as drama, and the influence of drama on film has never been interrupted since the birth of film.The connection and difference between the two are always one of the hot topics discussed by scholars.In other words, drama is more like the godfather of film. After the sound film came out, the drama really realized the threat brought by the burgeoning art of strong vitality, so Meyerhoud put forward the slogan of transforming drama into film.Looking back at the history of film development, the film was advancing along the way of dramatization, bringing prosperity to the early films.American Hollywood films in the 1920s and 1940s and Chinese films in the 1930s and 1940s are typical of the "dramatic" films. In the initial stage of the beginning of the film, the integration of the drama elements makes the film close to the audience and then obtains a place as an art.By the late 1970s and early 1980s, the desire to get out of the cultural catastrophe of art, to find new ways of art and to get rid of stereotypes was particularly strong.In view of the fact that films were reduced to "model operas" filmed with film production equipment before, and that various principles seriously constrained the free development of films, the filmmakers engaged in this discussion with a high sense of responsibility and enthusiasm.The film industry has sprung up a debate about the concept of film, the most important of which, in fact, is related to drama.At the same time, according to the new situation in the new period, the theatrical circles break through the shackles of the traditional realism, innovate the realistic drama bold form, and launch the discussion about the drama view, and the drama circles' discussion on the drama view also has something to do with the development of the film.This article takes the drama view and the movie idea of the first ten years of the new period as the research object, carries on the analysis to its viewpoint, then contrasts the new period drama view and the movie concept crossover and the transformation, analyzes the viewpoint, contrasts the similarities and differences, hopes through combing the argument viewpoint.It presents the value of debate in the age of passion.The paper is divided into three parts.In the first part, the author analyzes the debate of the new period drama view; the second part, the new period film concept debate; the third part, analyzes the new period drama view and the movie concept intersection and the transformation.
【学位授予单位】:西南大学
【学位级别】:硕士
【学位授予年份】:2013
【分类号】:J909.2
【参考文献】
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