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论彭浩翔的电影创作

发布时间:2018-04-17 01:18

  本文选题:彭浩翔 + 香港电影 ; 参考:《复旦大学》2014年硕士论文


【摘要】:彭浩翔是目前香港影坛极具才气的青年导演。执导十五年来,彭浩翔几乎每年都能拿出充满个性化风格的新作,为呈低谷萎缩之状的香港电影市场注入新鲜的血液。本论文把彭浩翔置于香港电影工业的大环境下,从其个人创作历程入手,结合具体作品进行分析,第一章概述了身为作者型导演的彭浩翔,如何在编剧、监制、导演三个方面掌控整部电影,并对其电影创作理念与主题内涵进行了概括,即在创作上从不自我复制,立足香港本土、描绘民生百态;第二章以具体电影角色为切入点,探究彭浩翔惯于塑造的几类人物,聚焦其对女性群像与男性群像的刻画,重点分析了“杀手”、“妓女”、“AV女优”等人物形象的特点,从中解读彭浩翔对两性关系的态度及对边缘人物的关注;第三章探讨总结彭浩翔电影的美学风格,主要包括以微见著的电影语言、实验性的叙事结构以及杂糅的电影类型三个方面的特点。力图通过此研究,整理总结作为香港电影新兴力量之一的彭浩翔,其电影创作的艺术特色及创新之处,并由此进一步探究香港电影人在两岸合作日趋紧密的创作环境中,如何准确定位自己的坐标,找到构筑现代港片的新生方向,从而为其冲破当下迷局、重塑香港精神,提供建设性的意见与启示。
[Abstract]:Mr Pang is a talented young director in the Hong Kong film world.Over the past 15 years, Peng has been able to produce new works full of personalized style almost every year, infusing fresh blood into Hong Kong's shrinking film market.This paper puts Peng Haoxiang in the Hong Kong film industry environment, starting with his personal creation process, combining with the analysis of specific works. The first chapter summarizes Peng Haoxiang, as an author director, how to make screenwriters and producers.The director controls the whole film in three aspects, and generalizes the concept and theme of his film creation, that is, he never replicates himself in his creative work, he bases himself on Hong Kong and depicts the people's livelihood. The second chapter takes specific movie characters as the breakthrough point.This paper probes into several kinds of characters that Peng Haoxiang is used to portray, focuses on his portrayal of female and male images, and analyzes the characteristics of the characters such as "killer", "prostitute", "AV female excellence" and so on.The third chapter discusses and summarizes the aesthetic style of Peng Haoxiang's films, which mainly includes the language of movies with a small perspective, from which Peng Haoxiang's attitude towards gender relations and his attention to the marginal characters are explained, and the third chapter discusses the aesthetic style of Peng Haoxiang's films.Experimental narrative structure and hybrid film types of three aspects of the characteristics.Through this study, he tries to sort out and summarize the artistic characteristics and innovations of Hong Kong film creation as one of the new forces of Hong Kong film creation, and thus further explore the Hong Kong filmmakers' creative environment in which cross-strait cooperation is ever closer.How to accurately locate their coordinates and find the new direction of constructing modern Hong Kong films, thus breaking through the current confusion, reshaping the spirit of Hong Kong, providing constructive advice and enlightenment.
【学位授予单位】:复旦大学
【学位级别】:硕士
【学位授予年份】:2014
【分类号】:J905

【共引文献】

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4 吴迎君;;20世纪50年代的香港左派电影批评[J];四川戏剧;2014年06期

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相关硕士学位论文 前5条

1 黄维娅;香港电影清洁运动研究[D];西南大学;2010年

2 吴娱玉;张爱玲香港时期的电影剧本研究[D];南京大学;2012年

3 张宛初;建国后中国大陆电影中的外国人形象研究[D];辽宁大学;2014年

4 张丽;香港与内地的古装合拍片研究(1979-2012)[D];南京师范大学;2014年

5 张夏凡;香港新浪潮电影研究[D];西南大学;2012年



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