浅谈大陆电影音乐艺术

发布时间：2018-04-17 06:13

本文选题：电影音乐 + 音乐类型　；参考：《郑州大学》2013年硕士论文

【摘要】：电影音乐研究是一门交叉学科,作为整个电影学研究的一部分,其整体方向、大致特征、所面临的问题和整个电影学研究大体一致。同时,电影音乐研究有其独特的价值意义及发展规律。所以,研究电影音乐,关键是要建构适合它的理论体系,以及恰切的研究方法,从而才能发掘电影音乐于电影的价值。本文首把大陆电影音乐的发展历程分四个时期(1905——1949年的萌芽期、1949——1966年的发展期、1966——1976年的荒芜期、1976年至今的进一步发展期)作简要的概述。接着根据电影音乐的的类型,主要从三个方面分析了大陆电影音乐：第一,从“电影音乐素材的来源”分为原创音乐与引用音乐,第二,根据“音乐在影片中的呈现方式”即音源是否处于画面当中分为画内音乐与画外音乐；第三,从电影音乐的构成元素不同把电影音乐分为电影纯音乐与电影歌曲。接下来分别以《冰山上的来客》、《刮痧》、《红河谷》、《夜宴》等影片为例论述了大陆电影音乐“渲染气氛、抒发情感、贯穿影片”这三大主要功能。最后论述了大陆电影音乐的风格特点。这一章主要以《嘎达梅林》、《霸王别姬》、《和你在一起》、《将爱情进行到底》和《站台》等影片为例对大陆电影音乐中的民族音乐、古典音乐以及流行音乐这三个方面进行分析。本文从大陆电影音乐的类型、主要功能及风格特点三个方面进行浅析,一方面希望这一边缘性领域能够引起电影音乐创作者的注意,能为创作提供实际的借鉴与帮助,另一方面能充实电影理论的研究,促进艺术理论者与创作者的交流与合作。
[Abstract]:A study of film music is a cross discipline, as a part of the film study, general characteristics of the overall direction, facing the problems broadly in line with the film study. At the same time, a study of film music has its unique significance and the law of development. Therefore, the research of film music, the key is to construct its theoretical system and research methods, appropriate, so as to explore the value of film music in the movie.
This paper first put the development history of Chinese film music is divided into four periods (from 1905 to 1949 of the embryonic period, development period, the 1949 - 1966 1966 - 1976 desert period since 1976, further development period) are briefly outlined. Then according to the type of film music, mainly from the three aspects of the mainland film music: first, from the "source" of film music material into the original music and music, second, according to the "way" music appears in the film the sound is divided into picture painting music and painting music; third, from the film music elements to different film music into the pure music and the film songs. Then on the tip of the visitors with < >, < < > > scraping, the Red River Valley, "the banquet > film as an example of the film music in the mainland" atmosphere, to express feelings, through the film "the three The main function. Finally it discusses the style and characteristics of film music in the mainland. This chapter mainly takes the < < > > it, Farewell to My Concubine with you, < >, < > and < love to the end of the film platform > film music in the mainland of the folk music, classical music and popular music of the three aspects of the analysis.
This article from the type of film music in the mainland, the three aspects of the main function and style characteristics are analyzed, a hope that the marginal areas can cause the creators of the film music, can provide some help for the actual creation, on the other hand, it can enrich the film theory research, promote exchanges and cooperation with the creators of the art theory.

【学位授予单位】：郑州大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J617.6;J905

【参考文献】