法国电影新导演创作风格研究（1984-2010）

发布时间：2018-04-17 14:27

本文选题：法国新时期电影 + 法国新导演群　；参考：《上海戏剧学院》2013年博士论文

【摘要】：1895年12月28日，电影诞生在法国。在接下来的一百多年里，法国就和电影有了密不可分的关系。从早期的卢米埃尔兄弟开天辟地的写实主义影片，到梅里爱开拓的表现主义风格，到先锋派电影在法国的蓬勃发展，到新浪潮的泽被后世，法国电影无论从艺术实践上还是在美学理论研究方面都走在世界的前沿。法国电影是一面旗帜，她经历过登峰造极的辉煌，也曾徘徊在市场萎缩的低谷，但目前仍然处于世界的顶峰。法国电影新时期是时间上离我们最近的一个法国电影发展阶段，在这个时期出现了创作的跌宕起伏，出现了美国的商业威胁，也出现了一批才华横溢、风格不同的年轻导演。正是这些导演们的精心创作和不倦努力,才使法国电影在欧洲其他国家电影与好莱坞较量之后几乎全军覆没的岁月里仍然能够傲然于世。新导演们在秉承前辈创作精神的同时，与好莱坞电影博弈票房，取得了不俗的成绩。他们在作者电影的精神世界里自由翱翔，也在商业电影的票房工厂中积极探索；他们有时哲理深奥晦涩难懂，有时仅制造感官的新鲜和刺激；他们反思社会问题，也积极娱乐大众；他们寻找人性的美好，也暴露现实的残酷。本文聚焦于最近二十七年（新时期法国电影从1984年开始）的新一代导演的创作，试图通过他们的作品解读法国电影新时期的导演风格的演变、电影创作的艺术特征和市场运作的规律和模式，找到法国电影在新时期里屹立不倒的原因所在。从结构上说，论文共有三个章节，加上导言和结语共有五个部分组成：导言的主要内容包括了课题的研究意义、国内外现状、研究的主要内容、创新之处以及重点和难点。第一章，法国电影新导演群落。本章分成三个小节，分别对法国电影新导演的划分、新导演的成长环境和创作背景以及新导演的组成群落进行了详细的论证和说明。为后文章节导演创作风格的演变交代了背景。第二章，新导演的创作风格及其作品的美学特征。本章从新导演的电影表现主题、影像风格特色、叙事的节奏和方法以及塑造人物的重要手段等方面进行了详细的研究，通过对他们作品的归类分析，完成了对新导演作品的艺术模式与美学特征的总结，以及相关的具有代表性的电影理论研究。第三章，新导演及其主要作品分析本章选择了四位比较有代表性的新导演，对其创作风格进行个案的细化研究。他们是法国电影新时期非常有代表性的导演，不仅获奖无数，，而且风格独特，不可复制。这四位导演分别是阿布戴·柯西胥、艾曼纽勒·莫雷、克莱尔·丹尼和让-皮埃尔·热内。结语，全文结论性总括。本章总结了法国电影新时期的概貌以及新导演的创作，并与中国新导演的情况做了简单的对比，希望能从法国新导演的创作经验中得到启迪和借鉴。
[Abstract]:The film was born in France on December 28, 1895.Over the next hundred years, France was inextricably linked to films.From the original realism films of the early Lumiere brothers to the expressionist style developed by Meri, to the vigorous development of avant-garde films in France, to the coming generations of the new wave.French films are at the forefront of the world both in artistic practice and in the study of aesthetic theory.French film is a banner, she has experienced a brilliant peak, but also hovering in the market decline, but is still at the top of the world.The new era of French film is a recent stage of development of French film from us in time. In this period, there have been ups and downs of creation, a commercial threat from the United States, and a group of talented young directors of different styles.It was the painstaking creation and tireless efforts of these directors that enabled French films to remain proud of the rest of Europe after almost all their years of war with Hollywood.While adhering to the creative spirit of their predecessors, the new directors and Hollywood film game box office, has made good results.They fly freely in the spiritual world of the author's films and actively explore in the box office factories of commercial films; they sometimes have profound and obscure philosophies, sometimes they only create the freshness and excitement of the senses; they reflect on social problems.They also actively entertain the masses; they seek the beauty of human nature, but also expose the cruelty of reality.This article focuses on the creation of a new generation of directors in the last twenty-seven years (the new era of French cinema began in 1984), trying to interpret the evolution of the style of directors in the new era of French films through their works.The artistic characteristics of film creation and the law and mode of market operation find out the reason why the French film stands erect in the new period.Structurally, the thesis consists of three chapters, plus an introduction and a conclusion consisting of five parts:The main contents of the introduction include the significance of the research, the current situation at home and abroad, the main contents of the research, the innovation and the key points and difficulties.The first chapter, the new French film director community.This chapter is divided into three sections, respectively, the new French film director division, the new director of the growing environment and creative background and the composition of the new director for detailed demonstration and explanation.For the later chapters of the evolution of the director's creative style explained the background.The second chapter is the creative style of the new director and the aesthetic characteristics of his works.This chapter has carried on the detailed research from the new director's movie performance theme, the image style characteristic, the narrative rhythm and the method as well as the important means of portraying the character, through classifies the analysis to their works,The art model and aesthetic characteristics of the new director's works are summarized, as well as the relevant representative film theory research.Chapter three: analysis of the New Director and his main worksIn this chapter, four representative new directors are selected to study their creative style in detail.They are very representative French film directors in the new era, not only innumerable awards, but also unique style, can not be copied.The four directors are Abd Cosey, Emmanuel Morey, Claire Danny and Jean-Pierre Genet.Conclusion, conclusion.This chapter summarizes the general picture of the new period of French film and the creation of the new director, and makes a simple comparison with the situation of the new director in China, hoping to get inspiration and reference from the creative experience of the new French director.
【学位授予单位】：上海戏剧学院
【学位级别】：博士
【学位授予年份】：2013
【分类号】：J911;J905

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