重审“电影语言现代化”:中国现代主义艺术运动与审美批判的兴衰

发布时间：2018-04-18 06:11

  本文选题：电影语言现代化 + 中国现代主义艺术运动　； 参考：《四川师范大学学报(社会科学版)》2017年03期

【摘要】：重审20世纪70年代末80年代初李陀等人提出的“电影语言现代化”论题,可以发现这其实是一场中国现代主义艺术运动。中国电影现代主义的核心是审美批判,但其批判的目标不是西方现代主义的科学与资本理性,而是为市场化改革开辟道路。因此,当市场化改革成为中国社会共识之后,现代主义也就随之落潮,通过1990年代的市场化进程,进入新世纪,“电影语言现代化”的审美批判命题已被消费主义的“电影语言奇观化”的论题所替代。
[Abstract]:Reviewing the topic of "Movie language Modernization" put forward by Li Tuo and others in the late 1970s and early 1980s, we can find that it is actually a Chinese modernist art movement.The core of Chinese film modernism is aesthetic criticism, but the goal of its criticism is not the science and capital rationality of western modernism, but to open the way for market-oriented reform.Therefore, when market-oriented reform became a common understanding in Chinese society, modernism also fell into the tide. Through the process of marketization in the 1990s, modernism entered the new century.The aesthetic criticism proposition of "Modernization of Film language" has been replaced by the topic of "Wonderization of Film language" of consumerism.
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本文编号：1767127