宫崎骏动画中无台词角色研究

发布时间：2018-04-19 01:01

本文选题：宫崎骏 + 角色塑造　；参考：《太原理工大学》2015年硕士论文

【摘要】：日本动画大师宫崎骏，这个名字对于我们而言并不陌生，他用独特的叙述故事的方式与沉静却深远的宫崎式风格，带领着我们和剧中的角色一起成长，从1968年的《太阳王子霍尔斯大冒险》到2008年的《崖上的金鱼姬》，这十九部作品为导演带来了动画大师的美名，也为日本动画界创下了许多奇迹。宫崎骏的动画电影以别出心裁的手法塑造出许多个性立体的角色，在观众心中留下了十分深刻的印象，这些角色不仅成为成人和儿童共同分享的记忆，也使自身在故事的脉络下得到鲜活的生命。一般而言，使角色立体的形塑手法不脱言语和动作的范畴，宫崎骏显然很擅长把握这两项特色，因此每有电影上映，总是能引发大众对剧中角色的探究和讨论。然而，在这些动画角色中，却存在着一群不使用台词表达思想、情感的角色，观众无法透过话语感受他们的内心世界，只能依靠其它动画元素进行推敲，或许正因为认识和了解的方式更聚焦于视觉的效果与感受，便产生不可取代的独特魅力。本研究即欲针对宫崎骏形塑无台词角色的方式进行探讨，分析导演如何在作品中表现无台词角色的特性、功能以及其对动画领域的意义和贡献。本论文共分为六章.第一章绪论。陈述研究目的与意义、国内外研究现状、研究的方法、研究的内容。第二章则进行文献探讨，偏重前人相关研究论文和专著的回顾，，并整理日本动画发展、宫崎骏动画角色形塑的有关研究，作为后续角色分析的基础。第三章与第四章为本文的重点部分，分别从无台词角色外型和功能两个层面分析宫崎骏塑造角色个性的方式，探究无台词角色的魅力所在。第五章为结论，藉由总结各章论述，凸显无台词角色的特色与价值，梳理此种角色类型对动画有何影响及贡献，期望能丰富宫崎骏动画电影刻画人物手法的内涵，并为无台词角色找出在动画领域中的定位。第六章致谢。
[Abstract]:Japanese animation master MiyazakiHayao, the name is no stranger to us, with his unique storytelling style and quiet but profound Miyazaki style, led us and the characters in the play to grow up,From the Great Adventure of Prince Halls of the Sun in 1968 to the Golden Fish on the Cliff in 2008, these 19 works have brought the director the fame of a master animator, as well as many miracles for the Japanese animation world.MiyazakiHayao's animated films have created many three-dimensional characters in an ingenious way, leaving a deep impression on the audience. These characters not only become memories shared by adults and children alike.Also make oneself in the context of the story to get a fresh life.Generally speaking, MiyazakiHayao is very good at grasping these two characteristics, so every movie can always arouse the public to explore and discuss the characters.However, in these animated characters, there is a group of characters who do not use lines to express their thoughts and feelings, the audience can not feel their inner world through words, they can only rely on other animation elements to refine.Perhaps because the way of understanding and understanding is more focused on visual effects and feelings, it has irreplaceable unique charm.This study aims to discuss the ways in which MiyazakiHayao shapes the characters without lines, and analyzes the characteristics, functions, significance and contributions of directors in the field of animation.This thesis is divided into six chapters.The first chapter is introduction.The purpose and significance of the research, the present research situation, the research methods and the contents of the research are stated.The second chapter is the literature discussion, focusing on the previous related research papers and monographs review, and collate the development of Japanese animation, MiyazakiHayao animation role molding related research, as the basis of the follow-up role analysis.The third chapter and the fourth chapter are the key parts of this paper, respectively, from the two aspects of the role shape and function of the role, MiyazakiHayao's way of shaping character, explore the charm of the role without lines.The fifth chapter is the conclusion, by summing up each chapter, highlighting the characteristics and value of the character without lines, combing the influence and contribution of this character type to the animation, hoping to enrich the connotation of MiyazakiHayao animated film portraying the characters.And find out the position in the animation field for the character without lines.Chapter VI thanks.
【学位授予单位】：太原理工大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J954

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