“穿越剧”戏仿风格论

发布时间：2018-04-19 04:25

本文选题：穿越剧 + 戏仿　；参考：《南昌大学》2013年硕士论文

【摘要】：近年来,穿越剧的热播引起了学界关注,专家学者相继撰文对此进行了研究。本文从“戏仿”理论视角切入,以期对穿越剧进行比较系统的研究。文章首先对“穿越”元素进行了分析,对穿越剧发展概况进行了梳理,对穿越剧内涵进行归纳。认为,“穿越”不是一种题材,而是一种手段。穿越剧只是借用这种手段而成为一种影视剧类型。它运用后现代主义的戏仿元素,把历史剧、偶像剧、悬疑剧、伦理剧等众多类型电视剧融为一炉,以平民化的视角,通过古今对比,借古讽今,折射出现代人的生活状况和心路历程。本文第一章介绍了“戏仿”在古希腊、现代、后现代三个不同时期的理论流变,发现“戏仿”元素与后现代的其他元素,比如“恶搞”、“复制”、“拼贴”等,总是粘合在一起,难以分割。因此,本文把经典影视的滑稽模仿、文史典故的颠覆恶搞、社会生活的平面复制、多种元素的拼凑整合等特征,看作是穿越剧的四种戏仿类型。第二章分析了戏仿为穿越剧带来的独特艺术价值,主要表现为娱乐价值、认识价值和批判价值。娱乐价值体现在通过古今文化语境的差异以及夸张变形的恶搞制造滑稽的搞笑,使人们在日常生活中的紧张情绪得以“溶解”,在开怀大笑中得到全身心的放松与自由。认识价值表现在审美的多样化方面,通过穿越剧我们可以更好的认识当代审美文化的多样性问题,了解当代青少年的审美心理、审美趣味等。批判价值主要体现在对社会普遍存在的庸俗价值观的批判和对社会陋习的讽刺,以及对历史真相的质疑等。第三章分析了过度戏仿给穿越剧带来的一些误区,认为穿越剧如果一味地以戏仿为手段,盲目跟风,坚持娱乐至上,追求反本质主义的平面书写,只热衷于对日常生活表象的拼贴,以零散化、碎片化的戏说恶搞解构厚重的历史,以阿Q式的精神胜利法过滤对现实的严肃思考,那么,留给当下的只有轻飘飘的快乐,构成历史和现实的本体被抽空,人生也将变得空洞乏味而失去价值和意义。针对穿越剧未来的发展走向,笔者认为：我国目前的穿越剧可谓“瑕瑜互见”。穿越剧是否被禁跟“穿越”本身无关,而跟戏仿内容、戏仿方式有关。穿越剧中的戏仿元素和其他元素杂糅在一起,使得反传统与回归传统、复制生活与追求深度、摆脱主流与靠近主流等多种主题在穿越剧中共同存在。如何扬长避短,既不脱离感性的日常生活图景,又能向题外更深处开掘,依然值得探索。
[Abstract]:In recent years, the popularity of traversing drama has attracted the attention of scholars, experts and scholars have written articles to study this.From the perspective of parody, this paper tries to make a systematic study on the traversing drama.Firstly, the article analyzes the elements of "traversing", combs the development of traversing drama, and sums up the connotation of traversing drama.It is believed that "traversing" is not a subject matter, but a means.Traversing drama only borrows this kind of method to become a kind of film and TV drama type.It uses the parody element of postmodernism, melts the history drama, the idol drama, the suspense drama, the ethics drama and so on many kinds of TV dramas into one stove, with the populace's angle of view, through the ancient and modern comparison, borrows the ancient and the present to satirize the present and the present.Reflects the modern people's living conditions and the course of mind.The first chapter introduces the theoretical evolution of "parody" in three different periods in ancient Greece, modern and post-modern, and finds that "parody" elements and other elements of post-modern, such as "parody", "copy", "collage", etc.Always glued together, difficult to separate.Therefore, this paper regards the features of the classic film and television, such as comical imitation, subversive parody of literary and historical allusions, plane reproduction of social life and the patchwork and integration of various elements, as four kinds of parody types of traversing drama.The second chapter analyzes the unique artistic value brought by parody for the traversing drama, which is mainly shown as entertainment value, cognitive value and critical value.The value of entertainment is embodied in making funny jokes through the differences of cultural context between ancient and modern times and exaggerated and distorted parody, so that people's tension in daily life can be "dissolved", and they can relax and free with all their heart and soul in laughter.We can better understand the diversity of contemporary aesthetic culture, understand the aesthetic psychology and aesthetic taste of contemporary teenagers.The critical value is mainly embodied in the criticism of vulgar values and the satire of social bad habits, as well as the questioning of historical truth.The third chapter analyzes some misunderstandings that excessive parody brings to traversing drama, and thinks that traversing drama should blindly follow the trend by means of parody, insist on entertainment supremacy, and pursue the plane writing of anti-essentialism.Only keen on the collage of the appearance of daily life, with scattered, piecemeal paranoia to deconstruct the heavy history, with the A-Q-style spiritual victory to filter the reality of serious thinking, then, leaving the present only light happiness,The Noumenon that constitutes history and reality is emptied, and life becomes empty and meaningless.In view of the development trend of traversing drama in the future, the author thinks that the current traversing drama in our country can be described as concealer.Whether or not the traversing drama is forbidden has nothing to do with traversing itself, but with parody content and parody style.The combination of parody elements and other elements in the traversing drama makes anti-tradition and return to tradition, copy life and pursue depth, get rid of mainstream and close to mainstream, and so on.It is still worth exploring how to develop strengths and circumvent weaknesses, not only to break away from the perceptual picture of daily life, but also to dig deeper beyond the topic.
【学位授予单位】：南昌大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J905

【参考文献】