日本电影中的死亡美学

发布时间：2018-04-20 00:14

本文选题：日本电影 + 死亡美学　；参考：《重庆大学》2014年硕士论文

【摘要】：死亡作为生命的一部分而存在随时准备着计量生命的长短，它引得哲学界、文学界、艺术界和宗教等纷纷探讨关于存在的意义、死亡的虚无与生命的永恒。电影作为一个包容性强的艺术门类，以其独特细腻的视听特性像一面多棱镜一般反映世间万物百态。将死亡元素的融入不但能引发电影学独特的艺术视角来揭露死亡本身的价值，，死亡意象有时还能作为提升电影的艺术审美价值的源动力。日本导演通过有意识的艺术创造来满足对美的终极追求：死亡之美，将死亡带来的恐惧转化从而赋予美的诗意而温存的表现方式，诱发人们对美的最高级形式的鉴赏，引导人们获得精神家园的归返，体会生命的存在意义和反思灵与肉的轻与重。本文选取以死亡为主题或死亡意象所占比重较大的部分具有代表性的日本影视作品，就此类型影片作为单独案例进行影片分析为主要研究方法，通过对作品中出现的死亡意象进行整合梳理，站在死亡美学的定义和范畴来挖掘影片中的美学价值并对其表现形式及意义进行分类梳理。根据死亡意象在电影中的基本功能作用分类为：叙事结构功能、作为电影符号的表意功能和审美功能。其中以表意和审美两大功能作为对电影中的死亡意象的审美分析基础，再根据电影的视听特性，探索分析日本导演有意识的对死亡意象的形式化创作的视听效果来揭示死亡诱发出的美与丑的对比审美。结合日本大和民族独特而怪异的死亡文化作为背景分析，总结归纳出日本导演所揭示的民族根性和死亡观，以及通过电影对死亡表象的模拟艺术中所采取的不同形式的审美分析，从而寻找出日本式的死亡美学，为研究电影中的死亡美学分析提供理性的结构式分析经验。
[Abstract]:Death, as a part of life, is ready to measure the length of life at any time. It leads the philosophical, literary, artistic and religious circles to probe into the meaning of existence, the nothingness of death and the eternity of life. Film as an inclusive art category, with its unique and delicate audio-visual characteristics like a multi-prism generally reflects everything in the world. Not only can the integration of death elements lead to the unique artistic perspective of cinematology to reveal the value of death itself, but also the image of death can sometimes be used as the source of promoting the aesthetic value of film art. Japanese directors satisfy the ultimate pursuit of beauty through conscious artistic creation: the beauty of death, the transformation of the fear of death into the poetic and tender way of expression of beauty, and the appreciation of the highest form of beauty. To guide people to the return of spiritual homeland, to understand the significance of life and reflect the light and heavy of spirit and flesh. This paper selects the representative Japanese film and television works which take the death as the theme or the proportion of the death image as a large proportion, and the main research method is the film analysis of this type of film as a separate case. Through the combination of death images in the works, standing in the definition and category of death aesthetics to excavate the aesthetic value of the film and sort out its manifestation and significance. According to the basic function of death image in the film, it can be classified as narrative structure function, ideographic function and aesthetic function as movie symbol. Among them, the aesthetic analysis of the death image in the film is based on the two functions of ideographic and aesthetic, and then according to the audio-visual characteristics of the film, This paper explores and analyzes the audio-visual effects of Japanese directors' conscious creation of death images in order to reveal the aesthetic contrast between beauty and ugliness induced by death. Combined with the unique and strange death culture of the Japanese Daiwa people as the background analysis, summed up the Japanese director revealed the national root and death view, And through the different forms of aesthetic analysis in the simulated art of death representation, the author finds out the Japanese-style death aesthetics, and provides rational structural analysis experience for the study of the death aesthetics analysis in the film.
【学位授予单位】：重庆大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J905

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