赵冬苓“家国主旋律”类型电视剧作研究

发布时间：2018-04-21 18:11

本文选题：赵冬苓 + 家国主旋律　；参考：《山东师范大学》2013年硕士论文

【摘要】：进入二十一世纪，家族题材的主旋律作品获得了空前的追捧，一度形成了一股收视热潮。在这股热潮中，一位编剧家的名字引起了我们的注意，那就是获得2011年第28届中国电视剧飞天奖“优秀编剧奖”的赵冬苓先生。她近几年创作的一系列作品在播出后都引起了巨大反响。尤其是电视剧《沂蒙》，不但获得了国内多项电视剧大奖，而且因为其中所颂扬的“沂蒙精神”更是受到了党和国家领导人的肯定。可以说，赵冬苓创作的电视剧作因为其内部的较为明显的风格化特征、良好的收视率以及在受众层面的广泛影响，而逐渐形成了一种“赵冬苓品牌”。但是，由于影视剧作研究的相对滞后性以及其他诸多原因，目前对于赵冬苓剧作的研究相对较少。笔者在细细品读了所有赵冬苓先生编剧的作品之后，选取了她极具代表性的四部作品——《北方有佳人》、《沂蒙》、《中国地》以及《南下》，依据它们一些相似的特征，把它们归为一种类型，并把这一类型命名为“家国主旋律”。对此类型特征、原因及其意义的探寻将是本篇论文所要探究的主体。显然，对赵冬苓的“家国主旋律”类型电视剧作进行探究是具有着积极意义的。一方面，我们通过对此类型的电视剧文本的寓言化批评可以揭示出作品在现代性的语境中给观众提供出来的独特的意义世界，以及这种意义对人们寻找精神家园的心灵导向作用；另一方面，我们也可以借此探究家族电视剧如何更好地做到自身意识形态、商品与艺术三维属性的统一与协调，发现家族电视剧生产中尤其是剧本创作中各种权力关系的脉络及其对它的影响。再者，赵冬苓的“家国主旋律”虽然属于家族剧，但是也属于主旋律。对其进行深度的探究，能够使我们更好的明晰主旋律电视剧创作的一些规律，“赵冬苓品牌”的成功也能够为创作主旋律电视剧提供一些有益的启示。本文将赵冬苓的“家国主旋律”剧作置于两种语境中来进行研究。一种是文本内部社会变迁的历史语境。一种是文本外部当下社会文化转型期的社会文化语境。在这两种语境下进行二元观照，去探究意识形态领域所透漏出来的信息。因此，本文一方面把研究对象看作具有独立构成性的艺术文本系统，另一方面又将其视为一种具有开放性的社会文化系统。将宏观的文化分析和微观的文本细读相结合，以文化批评为理论视角，以寓言化批评和意识形态批评作为研究的理论切入点，并吸收其他相关学科的理论资源，例如叙事学、大众文化理论，消费文化理论，女性主义批评以及文化霸权理论等等，进行多元化的理论阐释。本文的论述逻辑和结构安排如下：在导论部分阐述研究的缘起、研究对象及其意义，接着对研究现状和能够提供帮助的理论文献进行一番梳理，并最后确定理论角度，研究方法和论述逻辑。第一章首先要将本文的研究对象进行一种“本体论”意义上的宏观定位和本体界定，以便我们对研究对象更加明晰，更好地把握住研究对象的本质。第二章将运用寓言化批评理论解读文本，去探讨赵冬苓“家国主旋律”类型电视剧作品的寓言化文本构成及叙事景观，以便对研究对象在文本层次上有一个较为清晰的概括。第三章在第二章基础上去分析赵冬苓“家国主旋律”类型电视剧的寓言化叙事策略。这里所谓的策略，换一种说法，其实也是赵冬苓剧本创作的与众不同之处，是“赵冬苓品牌”之所以构成“品牌”的最重要的方法论阐释。第四章将在前两章的基础上，跳出具体的文本层次的研究，上升到文化领域的意识形态层面，，去探寻赵冬苓“家国主旋律”寓言化叙事背后的目标价值。最后，在结语部分对本论文进行总结，并得出结论：赵冬苓的“家国主旋律”类型电视剧作品之所以能够让观众满意，取得良好的收视率以及社会效应，正是因为，它在弘扬主旋律的时候，没有强行地将国家主流意识形态灌输给观众，而是将国家主流意识形态缝合进大众意识形态中去，并通过寓言化的文本叙事方式，以最贴近大众的平民化的“家”或者“家族”为载体进行叙述故事的。这一总体策略，成就了赵冬苓“家国主旋律”电视剧作品的品牌效应。总体上，本文以“一种视角、两个切入点、多元理论阐释”的方式，沿着“什么是‘家国主旋律’，赵冬苓的‘家国主旋律’表现了什么内涵，这种内涵是如何实现的，这种实现的本质是什么，有什么样的价值”这样的一种层层递进逻辑进行研究的。
[Abstract]:In the 21 ~ ( st ) century , the main melody works of the family theme have gained unprecedented popularity , once formed a trend of watching . In this hot trend , the name of a screenwriter has aroused our attention , which is a series of works of Zhao Dongling .

On the one hand , we can reveal the unique meaning world of the works in the context of modernity , and the spiritual guidance of people seeking spiritual home .
On the other hand , we can also explore how the family TV series can better achieve the unification and coordination of the three - dimensional attributes of their ideology , commodity and art , and find that in the production of the family TV series , especially the context of various power relations and their influence on it . Moreover , Zhao Dongling ' s " home country main melody " belongs to the family drama , but also belongs to the main melody . In addition , Zhao Dongling ' s " home country main melody " belongs to the family drama , but also belongs to the main melody . The success of the " Zhao Dongling brand " can also provide some useful inspiration for the creation of the main melody TV series .

This paper makes a study of Zhao Dongling ' s " Home Country Main Melody " in two contexts . One is the historical context of the social change in the text . One is the social and cultural context in the transitional period of the social culture in the outside of the text . In the two contexts , it is regarded as an art text system with independent constitution . On the other hand , this article regards the research object as an artistic text system with independent constitution . On the other hand , it regards the cultural criticism as the theoretical point of view , and absorbs the theoretical resources of other relevant subjects , such as narratology , mass culture theory , consumption culture theory , feminism criticism and cultural hegemony theory , etc .

The logic and structure of the discussion are as follows :

In the introductory part , the origin , research object and its significance of the research are expounded , then the research status quo and the theoretical literature that can provide help are reviewed , and the theoretical angle , the research method and the discussion logic are finally determined .

In the first chapter , we should carry out the macro - positioning and the ontology definition in the meaning of ontology , so that we can better grasp the essence of the object .

In the second chapter , the author uses the theory of moral theory to interpret the text , and probes into the textual structure and narrative landscape of Zhao Dongling ' s " main melody " type TV series works , so as to provide a clearer generalization of the research object at the text level .

In chapter 3 , on the basis of the second chapter , the author analyzes the narrative strategy of Zhao Dongling ' s " home country main melody " type TV series . The so - called strategy , in fact , is the difference between Zhao Dongling ' s drama creation and the most important methodological interpretation of " Zhao Dongling brand " which constitutes " brand " .

The fourth chapter , on the basis of the first two chapters , jumps out the research of the concrete text level , and goes up to the ideological level in the cultural field , and explores the target value behind the narrative of Zhao Dongling ' s " home country ' s main melody " .

Finally , this thesis summarizes the thesis in the concluding part , and draws the conclusion that Zhao Dongling ' s " Home Country Main Melody " type TV series works are able to satisfy the audience and achieve good audience rating and social effect . It is precisely because it has not forcibly infused the mainstream ideology into the public ideology , but also put the national mainstream ideology into the mass ideology . This general strategy has achieved the brand effect of Zhao Dongling ' s " main melody " TV series .

On the whole , this article takes " one perspective , two cut - in points , multi - element theory interpretation " , along " what is the main melody of the home country " , Zhao Dongling ' s " home country main melody ' shows what connotation , this connotation is how to realize , this realization essence is what , what kind of value " is a layer of progressive logic to study .

【学位授予单位】：山东师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：I207.35;J905

【参考文献】