中国动画民族化发展趋势研究

发布时间：2018-04-23 01:04

本文选题：中国动画 + 民族化元素　；参考：《山东工艺美术学院》2013年硕士论文

【摘要】：回顾中国动画的发展历程，自二十世纪初到二十世纪九十年代，中国民族动画在近一百年的时间里由初创、繁荣,逐步走向衰落。民族动画在其发展的繁荣时期曾取得举世瞩目的成果，其作为中国文化艺术的重要组成部分之一，既代表着中华民族艺术形式的特殊性，也贯穿着中华民族传统文化精神、民族精神、价值取向、道德素质等诸多方面的文化精髓。从这一方面来讲，早期民族动画是因其强烈的民族化特色征服了全世界观众而走向辉煌的。然而自上世纪九十年代以来，民族文化在受到西方外来文化的强烈冲击下显得势单力薄，普及范围逐渐缩小，欣赏人群逐渐流失。也正是由于这种原因，这一时期的动画逐渐呈现出民族化元素缺失的现象：造型西方化、内涵现代化、民族精神淡化……一系列的改变使得民族动画在失去民族特征的基础上部分地被西方化了。在这种情况下，动画民族化便成为动画发展的必然趋势。我们必须找到解决问题的良策，从根本上提高中国动画的民族化水平。其一，，应深入学习中华民族传统文化。传统文化是我们中华民族赖以生存的精神食粮，也是本民族价值观、人生观、世界观的积淀与延续。从文化层面来说，现代文化艺术形式比以往任何一段历史时期都需要传统文化的指引。只有理解中华文化的精神内涵和追求，才能为文化艺术的创作提供不竭的动力源泉。同时，中国动画也需要强大的民族精神作为指导，将民族精神贯穿于其中，使动画由内而外地散发出中华文化精神的魅力。其二，挖掘传统题材并将民族传统文化与现代动画相结合也是改善动画发展现状的必要措施。民族元素与现代技术的结合能帮助中国动画扬长避短，充分发挥传统的艺术感召力并使民族动画走向世界。其三，应借鉴西方动画的优势，增强民族动画的核心内涵。民族动画作为精神领域的产品，要体现本民族的核心内涵，在此基础上广泛吸取西方动画的优势和发展经验能发挥“取其之长,补己之短”的良好效果。其四，中西合璧，兼顾多种需求。要想实现民族动画的持续发展，就应秉持中西合璧的态度，兼顾不同民族、地域的审美风格需要，只有这样才能在继承和发扬的基础上实现民族动画的伟大复兴。其五，加强民族动画的创新意识。民族动画需要在坚持民族化的基础上不断吸收现代创新意识进行再创造，不断以世界优秀艺术成果和先进观念丰富自己，来获得民族动画的创新性提升。动画作为二十一世纪的朝阳产业代表着一个民族先进创作理念的发展，也彰显着民族特色的传承与创新。现阶段，民族化元素运用欠缺是我国动画发展的主要问题之一，研究其动画的发展现状并对这一问题提出行之有效的解决方法，对于中国动画民族化具有积极的促进作用。
[Abstract]:Looking back on the development of Chinese animation, from the beginning of the twentieth century to the 1990s, the Chinese national animation has been established, flourished and gradually declined in the past 100 years. As one of the important parts of Chinese culture and art, ethnic animation has made great achievements in the prosperous period of its development. It not only represents the particularity of Chinese art form, but also runs through the spirit of Chinese traditional culture. National spirit, value orientation, moral quality and many other aspects of the cultural essence. In this respect, the early ethnic animation was brilliant because of its strong nationalization characteristics. However, since the 1990s, the national culture under the strong impact of foreign culture in the West appears to be weak, the scope of popularization gradually narrowed, gradually lost appreciation of the crowd. Because of this reason, the animation of this period gradually presents the phenomenon of lack of nationalized elements: westernization of modeling, modernization of connotation and desalination of national spirit. A series of changes make ethnic animation partly westernized on the basis of the loss of national characteristics. In this case, animation nationalization will become the inevitable trend of animation development. We must find a good solution to the problem, fundamentally improve the level of Chinese animation nationalization. First, we should study the traditional culture of the Chinese nation in depth. Traditional culture is the spiritual food for the survival of the Chinese nation. It is also the accumulation and continuation of our national values, outlook on life and world outlook. In terms of culture, modern cultural and artistic forms need the guidance of traditional culture more than any other historical period. Only by understanding the spiritual connotation and pursuit of Chinese culture can we provide an inexhaustible source of power for the creation of culture and art. At the same time, the Chinese animation also needs the strong national spirit as the instruction, runs through the national spirit, causes the animation to exude the charm of the Chinese cultural spirit from inside to outside. Secondly, it is necessary to explore traditional themes and combine traditional culture with modern animation. The combination of national elements and modern technology can help Chinese animation develop its strengths and circumvent its weaknesses, give full play to its traditional artistic appeal and make ethnic animation move to the world. Third, we should learn from the advantages of Western animation, enhance the core connotation of national animation. As a product of spiritual field, ethnic animation should embody the core connotation of our nation. On this basis, we can draw on the advantages and development experience of western animation extensively and give play to the good effect of "taking advantage of its advantages and complementing its own shortcomings". Fourth, the combination of Chinese and Western, taking into account a variety of needs. In order to realize the sustainable development of national animation, we should hold the attitude of combining Chinese and western characters, and take into account the aesthetic style needs of different nationalities and regions. Only in this way can we realize the great rejuvenation of national animation on the basis of inheritance and development. Fifth, strengthen the innovative consciousness of national animation. On the basis of persisting in nationalization, ethnic animation needs to absorb modern creative consciousness for re-creation and enrich itself with the world's outstanding artistic achievements and advanced concepts, in order to obtain the innovative promotion of national animation. Animation, as a sunrise industry in the 21 century, represents the development of a nation's advanced creative idea, and also highlights the inheritance and innovation of national characteristics. At present, the lack of the use of nationalized elements is one of the main problems in the development of animation in China. Studying the current situation of animation development and putting forward effective solutions to this problem will play an active role in promoting the nationalization of Chinese animation.
【学位授予单位】：山东工艺美术学院
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J954

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