不约而同:1954年三部工业题材电影研究

发布时间：2018-04-24 08:19

  本文选题：工业题材电影 + 公式化　； 参考：《当代电影》2017年06期

【摘要】：1954年出品的《英雄司机》《无穷的潜力》《伟大的起点》三部工业题材影片,虽成绩不俗,各有亮点,但在主题、情节、结构、人物形象等方面,存在明显雷同,当年就是公共话题,观众不满,领导批评,艺术家无奈。三部影片中更大的问题是其人物关系、矛盾设置、价值判断及工程技术人员负面形象等方面的雷同,不仅有违科学理性,且有违生活常识。三部影片如出一辙,出于电影人对新中国政治的信仰和忠诚,积极宣传党的政策,对人物及其故事情节作应然式演绎和诠释。更深层的原因是电影人经历思想改造,力图精神合群,同时也害怕得咎,形成"不求艺术有功,但求政治无过"的创作心态,自抑个性,随波逐流,甘愿被群体语境形塑。艺术中的概念化、公式化,是宗教心态及其宗教式思维的产物,亦是群体心理的结晶。
[Abstract]:The three industrial films produced in 1954, "the driver of Heroes," "the Infinite potential" and "the Great starting Point", have good results and bright spots, but there are obvious similarities in theme, plot, structure, character image, etc. That was a public topic, audience dissatisfaction, leadership criticism, artists helpless. The bigger problem in the three films is the similarity of their character relationship, contradiction setting, value judgment and negative image of engineers and technicians, which is not only against scientific reason, but also against common sense of life. The three films are the same, out of the filmmakers' faith and loyalty to the politics of New China, they actively propagate the Party's policy, and interpret and interpret the characters and their storylines as they should be. The deeper reason is that the filmmakers have experienced ideological transformation, tried hard to fit in with the masses, and at the same time they were afraid of getting to blame. They formed a creative mentality of "not asking for the merits of art, but seeking no political achievements," self-suppressing their individuality, following the current, and willing to be shaped by a group context. Conceptualization and formulation in art are the product of religious mentality and religious thinking, and the crystallization of group psychology.
【作者单位】： 中国电影艺术研究中心;
【分类号】：J905

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本文编号：1795866