新世纪华语体育电影中女性形象塑造研究

发布时间：2018-04-24 15:22

本文选题：新世纪 + 华语地区　；参考：《陕西科技大学》2014年硕士论文

【摘要】：体育电影，将体育运动与社会生活的密切关系摄制成影像，负载着人类对生命价值和意义的探究。在体育电影里，女性这一特殊群体走出传统观念构建的象牙塔，用她们的身体和精神演绎出一曲昂扬向上的赞歌。历经百年发展，体育电影已具备类型电影的典型特征，主题元素、叙事元素、人物元素、技术元素、环境元素、视听元素等类型元素已基本稳定。作为人物元素中的重要组成部分，女性形象塑造的成功与否对体育电影的创作质量产生着重要影响。同时，对女性形象的书写也进一步反映着当代社会的文化特征和人们的价值观。进入新世纪，社会思潮异常澎湃，外来文化对中国传统文化产生了前所未有的冲击，人们的意识形态产生遽变。体育电影对女性的书写亦呈现出新的特征。本文对新世纪华语体育电影进行详实，有序的梳理，初步总结出女性形象塑造呈现出如下特征规律：第一、“身体叙事”趋势愈加显著，电影对女性运动员身体美感的凸显更直接、彻底、合法化。电影通过关注女性运动员的健康形象与优美体态。选取运动场域与运动场外的叙事语境展开表现，构建出了一幅幅具有运动活力与生命激情的群美图谱。这个过程中，女性作为运动员，在完成体育动作时所展现出的运动美感，被充分记录和放大。女性本体所具备的优美体态、姣好面容亦被清晰、完整地呈现。这与2000年以前，华语电影刻意回避直接描写女性身体的情况有所区别。第二、着眼于角色性格中的“去女性化”因素，生活化的女性形象成为人物塑造的主流。新世纪，女性形象塑造开始对传统文化所施加的束缚进行由被动到主动的颠覆。以外形的“美”为标签，，以性格的“去女性化”为内核，人物形象回归了生活的本真。无论从人物语言行为的微观塑造，还是叙事角度的宏观塑造都具有明显的“生活化”的趋势。第三、对女性运动员赛场上下的真实生存状态予以更多的关注，对其所处困境和造成该困境的社会矛盾进行直接的书写。这一时期的电影中，女性运动员职业角色与家庭角色的冲突、女性运动员与男性的互动关系等运动场域之外的生活状态成为新的聚焦点。影片不再对其职业角色与家庭角色的矛盾进行调节和消融。更对女运动员在以男性为主导构建的制度世界中的挣扎、在新世纪泛娱乐化浪潮背景下的迷失进行毫无遮蔽的展现。结合上述内容，提出华语体育电影中女性形象塑造的叙事背景如下：女性解放运动的兴起以及女性主义思潮的大量引入对中国传统观念造成的前所未有的冲击构成了其社会语境；中华民族荣誉感的加强和勇于突破局限寻求自我发展的特性构成了其民族语境；依然存在的以男性意识为主导建立的文化制度对女性的圈禁构成了其文化语境。
[Abstract]:Sports movies, which make images of the close relationship between sports and social life, are loaded with the exploration of the value and significance of life. In sports movies, women, a special group, walk out of the ivory tower constructed by traditional ideas and use their body and spirit to perform a high hymn. After a hundred years of development, sports film has the typical characteristics of the type of film, theme elements, narrative elements, character elements, technical elements, environmental elements, audio-visual elements and other types of elements have been basically stable. As an important part of character elements, the success of female image shaping has an important impact on the quality of sports film creation. At the same time, the writing of female images further reflects the cultural characteristics of contemporary society and people's values. In the new century, the social trend of thought is surging, foreign culture has had an unprecedented impact on Chinese traditional culture, and people's ideology has changed dramatically. Sports movies also show new features in the writing of women. This paper makes a detailed and orderly combing of Chinese sports films in the new century, and preliminarily summarizes the following characteristics of the shaping of female images: First, the trend of "body narration" is becoming more and more obvious, and the film is more direct, thorough and legalized to highlight the beauty of female athletes. The film focuses on the healthy image and graceful posture of female athletes. The narrative context of sports field and sports field is chosen to express, and the group beauty map with sports vitality and life passion is constructed. In this process, the aesthetic sense of movement displayed by women as athletes is fully recorded and amplified. The beautiful posture and good face of the female body are also presented clearly and completely. This is different from the fact that Chinese films deliberately avoided direct depiction of women's bodies before 2000. Second, focus on the "defeminization" factor of the character, and the living female image becomes the mainstream of character shaping. In the new century, female image shaping began to subvert the traditional culture from passive to active. With the beauty of appearance as the label and the defeminization of character as the core, the characters return to the true nature of life. Both the micro-modeling of characters' language behavior and the macro-shaping of narration have an obvious trend of "life-oriented". Thirdly, more attention should be paid to the real living state of female athletes on and off the field, and the dilemma and the social contradictions that caused it should be written directly. In the film of this period, the conflict between professional role and family role of female athletes, the interaction between female athletes and men and other living conditions outside the sports field become the new focus. The film no longer adjusts and melts the contradiction between professional and family roles. More women athletes in the male-dominated construction of the system in the world of struggle, in the new century under the background of the wave of pan-entertainment for the loss of an unsheltered display. Combined with the above, The narrative background of portraying female images in Chinese sports films is put forward as follows: the rise of female liberation movement and the unprecedented impact on Chinese traditional ideas caused by the rise of female liberation movement and the introduction of feminism trend of thought constitute its social context; The strengthening of the sense of honor of the Chinese nation and the courage to break through the limitation of seeking for self-development constitute its national context, and the cultural system, which is still established with the male consciousness as the leading factor, constitutes its cultural context.
【学位授予单位】：陕西科技大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J909.2

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