破境与造境—实验影像形式语言构建

发布时间：2018-04-25 09:19

本文选题：实验影像 + 形式语言　；参考：《大连工业大学》2014年硕士论文

【摘要】：实验影像从属于影像，既是一种流动的影像，又具有实验性质，采取颠覆传统影像的表达方式，运用跨学科跨国界跨文化并且结合生活媒介、前卫科技、社会意识的当代新美学等形式来表现艺术创作的影像。目前关于实验影像的研究相对于其他艺术领域来说还不是很多，而关于实验影像形式语言构建的分析更是凤毛麟角。所以，分析研究实验影像的形式语言构建的独特性及其先锋思想及其对于当代艺术的影响还是有必要的。他的独特的表达方式可以促进其不断的适应时代亦是与其形成对立，但是不断的提供前卫的思想，不竭的灵感来源，推动当代艺术的发展，，也可以为其自身的长久发展提供不竭动力。首先，解读什么是“实验性”，分析实验影像为何为“实验”的，从而引出实验影像的定义，从实验电影和录像艺术两方面及实验影像的样态来阐述。并沿着实验影像的历史背景和发展历程及国内外实验影像的发展现状对其进行进一步的探讨。最终得出实验影像的深入性定义。其次，系统论述什么是形式语言，通过分析形式语言与艺术设计的关系、形式语言的哲学性以及形式语言在实验影像中的体现来引出下一章实验影像形式语言构建的内容，为下文做一个铺垫。再次，进入本论文的核心部分，实验影像是反常态的，也不是大众化的，而它的形式语言与大众影像的区别是什么？本章就是从“破境”与“造境”两方面分析实验影像的形式语言，并从实验影像与各学术之间的关系来深入探讨，此外，实验影像也对大众的审美以及视觉影像对象产生了些许变化。最后，展望实验影像的未来发展之路，从我们当下接触到的电影以及录像艺术两种实验影像的变化开始，得出艺术与商业的结合已成为未来发展的趋势，并从形式语言、潜在的发展前景来论述。但其“实验性”最终还是会制约其未来发展道路，并从社会心理、艺术与商业的隔阂两方面对其进行分析。
[Abstract]:Experimental images belong to images, which are not only a kind of flowing images, but also have experimental properties. They take the expression of subversive traditional images, use cross-disciplinary cross-border cross-cultural and combine life media, avantgarde science and technology, The contemporary new aesthetics of social consciousness and other forms to express the image of artistic creation. At present, the research on experimental image is not much compared with other art fields, and the analysis of experimental image form language construction is even rarer. Therefore, it is necessary to analyze the uniqueness of the formal language construction of experimental images and its avant-garde thought and its influence on contemporary art. His unique expression can promote his constant adaptation to the times, but constantly provide avant-garde ideas, endless sources of inspiration to promote the development of contemporary art. It can also provide an inexhaustible impetus for its own long-term development. First of all, it explains what is "experimental", analyzes why experimental image is "experimental", and then leads to the definition of experimental image, which is explained from two aspects of experimental film and video art as well as the appearance of experimental image. Further discussion is made on experimental images along with their historical background and development history and the present situation of experimental images at home and abroad. Finally, the definition of the depth of experimental image is obtained. Secondly, it systematically discusses what is formal language. By analyzing the relationship between formal language and art design, the philosophy of formal language and the embodiment of formal language in experimental images, it leads to the content of the construction of experimental image form language in the next chapter. Pave the way for the following. Thirdly, in the core of this thesis, experimental images are abnormal and not popular, and what is the difference between their formal language and mass images? This chapter analyzes the formal language of experimental images from the aspects of "breaking the border" and "creating the environment", and probes into the relationship between the experimental images and the various academies. Experimental images have also produced some changes to the aesthetic and visual objects of the masses. Finally, looking forward to the future development of experimental images, starting with the changes of the two experimental images of film and video art, we can draw the conclusion that the combination of art and commerce has become the trend of future development, and from the formal language, Potential development prospects to discuss. But its "experimental" will eventually restrict its future development, and analyze it from two aspects: social psychology, the gap between art and commerce.
【学位授予单位】：大连工业大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J905

【相似文献】