都市剧伦理情感叙事研究

发布时间：2018-04-26 23:08

本文选题：都市剧 + 伦理情感元素　；参考：《山东师范大学》2013年硕士论文

【摘要】：论文以都市剧叙事中的伦理情感元素作为研究对象，从编剧的角度对其伦理情感元素的叙事变化进行了历时和共时的考察。论文通过对电视剧个案分析与既有研究的综合考察，理论结合实践，研究民族文化和不同时期的社会现状对电视剧中伦理情感元素叙事的影响，并为创作实践提供了理论指导。在对都市剧中伦理情感表现的历史关照的论述上，首先对本文论述的核心词汇“伦理情感”元素的概念展开界定，为论文的论述范围做出初步定位，随后，对都市剧中伦理情感元素叙事的两个维度进行考察。在对伦理情感元素叙事的历史维度考察方面，围绕两个线索展开：一方面，严格按照历史发展的线索，对社会伦理情感现状与创作情况进行相应分析；另一方面，从我国城市化发展进程对伦理情感叙事的影响的角度展开分析，内容包括:城乡伦理情感状态在城市化尚未开始时的没有截然之分，到伴随城市化进程，城乡两种伦理情感叙事日益泾渭分明，和在如今城乡融合趋势下，传统乡村叙事与一般意义上的都市剧叙事的成功接洽。论文对都市剧伦理情感元素在不同社会状态下叙事特点的共时维度考察展开论述，这基于对几个关系的处理，即：电视剧中伦理和情感的关系；电视剧中的伦理情感元素和社会发展阶段不同特点的关系；电视剧中的伦理情感叙事与社会伦理情感现实状态的关系。在对这两个维度进行研读分析后，本文从创作角度将当下都市剧伦理情感叙事的精神内涵分成四类，即：以《渴望》、《金婚》为代表的市民化生活的家庭伦理叙事；以赵宝刚作品为代表的都市青春成长题材叙事；以《王子变青蛙》、《一起去看流星雨》为代表的童话叙事和以《千山暮雪》、《回家的诱惑》为代表的都市虐恋复仇式叙事。文章进一步探索了四者所包含的伦理情感元素在家庭关系、权威人物设立、反面人物塑造和众神归位大团圆结局的设计这四个方面展现出来的叙事策略。论文在从剧本角度研究电视剧中伦理情感叙事的继承与衍变时，在继承创作经验和适应时代特色的创作实践这两个方面分别展开论述。前者重点分析伦理情感元素在电视剧叙事中的成功模式，后者重点分析相应模式在不同历史时期所表现出来的缺憾，以及随社会伦理情感现状不断发展完善的叙事策略。两者分析的重点都涉及人物及其关系的设置，故事和情节的叙事套路及矛盾设计，和伦理情感元素叙事中的台词设计。编剧利用观众的期待视野，在熟练运用既有创作经验的基础上，适应当下社会的伦理情感特点，进行适当的陌生化创作，来达到谋求高收视的创作模式与创新成果。伦理情感元素作为独立的叙事话语，在当代多角度精神内涵的电视剧中探索这样一种成熟的叙事策略和创作技巧——既探索电视剧创作通过伦理情感元素的叙事将民族文化具体展现于大众面前，又积极应对当下“娱乐至死”的大众文化环境。
[Abstract]:The thesis takes the ethical and emotional elements in the narrative of the urban drama as the research object, and makes a diachronic and synchronic investigation on the narrative changes of its ethical and emotional elements from the point of view of the dramas. Viewing the influence of the narrative elements of ethics and emotion in drama, and providing theoretical guidance for creative practice.
In the exposition of the historical consideration of the ethical emotional expression in the urban drama, first the definition of the concept of "ethical emotion", which is discussed in this paper, is defined to make a preliminary orientation for the scope of the treatise. Then, the two dimensions of the narrative of the ethical emotional elements in the urban drama are investigated. On the aspect of historical dimension, two clues are carried out: on the one hand, according to the clue of historical development, the present situation of social ethics emotion and the situation of creation are analyzed. On the other hand, from the angle of the influence of the urbanization development process on ethical emotion narration in China, the content includes the ethical emotional state of urban and rural areas in the city. In the process of urbanization, the two kinds of ethical emotional narration in urban and rural areas are more and more distinct, and in the trend of urban and rural integration, the traditional rural narrative is in harmony with the narrative of urban drama in the general sense. The study of dimension is based on the treatment of several relationships, that is, the relationship between ethics and emotions in TV plays, the relationship between ethical emotional elements in TV plays and the different characteristics of social development stage, and the relationship between ethical emotional narration and social ethics and emotional reality in TV plays.
After studying and analyzing the two dimensions, the spiritual connotation of the ethical and emotional narrative of the present urban drama is divided into four categories from the perspective of creation, namely, the family ethical narrative of the civic life represented by "longing for" and "Golden Marriage"; the narrative of the theme of urban youth growth represented by Zhao Baogang's works; Looking at the fairy tale narration represented by the meteor shower and the revenge narrative of the urban masochism represented by the "thousand mountains and twilight snow > the temptation of returning home", the article further explores the four aspects of the ethical emotional elements contained in the four parties in the family relationship, the establishment of the authority figures, the portrayal of the opposite figures and the design of the grand round outcome of the return of the gods. Narrative strategy.
In the study of the succession and evolution of ethical emotional narrative in TV dramas from the perspective of the script, the paper discusses the two aspects, which are the successes of the creative experience and the creative practice adapted to the characteristics of the times. The former focuses on the analysis of the successful mode of the ethical and emotional elements in the narrative of TV dramas, and the latter focuses on the analysis of the corresponding patterns in different historical periods. The shortcomings, as well as the continuous development and perfection of the narrative strategy with the status quo of social ethics, both of which focus on the setting of characters and their relationships, the narrative routines of stories and plots, and the design of contradictions in the narrative of ethical and emotional elements.
Making use of the audience's expectation, the writer, on the basis of skillful use of the existing creative experience, adapted to the ethical and emotional characteristics of the present society and made appropriate defamiliarization to achieve the creation pattern and innovation achievement for high viewing. The ethical emotion element is an independent narrative discourse and in the TV drama of contemporary multi angle spiritual connotation. Explore such a mature narrative strategy and creative skills - not only explore TV drama creation through the narrative of ethical emotional elements to show the national culture in front of the public, but also actively respond to the current "entertainment to death" of the mass cultural environment.

【学位授予单位】：山东师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J904

【参考文献】